With 'Bright Star' and with 'The Piano ' too I felt a kind of sadness about it being in such a different era because of my lack of experience with the era. And one of the ways I'd get over it is to remind myself that every film even if it's contemporary creates its own world.
A woman can be very beautiful and an ideal model and she will photograph incredibly well but she'll appear in film and it won't work. What works is some fusion of physical beauty with some mental field or whatever you call it. I don't know.
