I've been working on the soprano saxophone for 40 years and the possibilities are astounding. It's up to you the only limit is the imagination.
You have to sound sad first of all then maybe later you can sound good.
Television contracts the imagination and radio expands it.
When you see something that is technically sweet you go ahead and do it and you argue about what to do about it only after you have had your technical success. That is the way it was with the atomic bomb.
