Making a film of a work you've played for six weeks gives you intimate knowledge of the character. By the time you go in front of the camera you've worked out the behavior and life of a character.

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I wrote seven Myron Bolitar novels in a row and I never want to write a Myron book where he just solves a crime. Every one of them I want to be personal and I want him to grow and change. The problem with that is it makes the series limited you can't write a series where a guy is always going through some kind of crisis.