There is no better proof of a man's being truly good than his desiring to be constantly under the observation of good men.
A work can become modern only if it is first postmodern. Postmodernism thus...
The most positive men are the most credulous.
A good man often appears gauche simply because he does not take advantage of the myriad mean little chances of making himself look stylish. Preferring truth to form he is not constantly at work upon the facade of his appearance.