The kind of theater that I do is sort of 'narrative realism ' which I think in the broadest sense is legitimate to say is mainstream. I mean in a certain sense Suzan-Lori's plays have had mainstream levels of success. But Suzan-Lori is in some ways not a narrative realist.

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I have 23 top players and they are all ready to put on the jersey and work on the pitch and that makes you happy and then you have peace of mind.