So when you go to a set and you just fully trust everybody you know how hard everybody's working you know that the people doing it are good and have such a strong vision - that's exactly my experience on 'New Girl ' and what my experience on 'Veronica Mars' was like. Everybody was just so great.
Sometimes they are a matter of luck the photographer could not expect or hope for them. Sometimes they are a matter of patience waiting for an effect to be repeated that he has seen and lost or for one that he anticipates.
