My parents were really really cool about supporting what I wanted to do at a really young age. I think I was about 10 when I caught the bug. They would drive me down to New York if there were auditions. When I was 12 I did this show on Broadway called 'High Society ' so we moved to New York for the run of that.
It took me twenty years to get Steven Parrino's work. From the time I first saw his art in the mid-eighties I almost always dismissed it as mannered Romantic formulaic conceptualist-formalist heavy-metal boy-art abstraction.
