The surrealists and the modern movement in painting as a whole seemed to offer a key to the strange postwar world with its threat of nuclear war. The dislocations and ambiguities in cubism and abstract art as well as the surrealists reminded me of my childhood in Shanghai.

I was not out to paint beautiful pictures even painting good pictures was not important to me. I wanted only to help the truth burst forth.

My painting teacher in high school used to say 'I can't paint like I want to but through practice I'll get better.' But I don't think that's true. I think sometimes you just can't paint.

It is no use painting the foot of the tree white the strength of the bark cries out from beneath the paint.

I get strength from my art - all the paintings I own are powerful.

Nature engenders the science of painting.

Dwight is a sad clown. You've seen those paintings of sad clown.

All pictures are unnatural. All pictures are sad because they're about dead people. Paintings you don't think of in a special time or with a specific event. With photos I always think I'm looking at something dead.

I'm sickened by all religions. Religion has divided people. I don't think there's any difference between the pope wearing a large hat and parading around with a smoking purse and an African painting his face white and praying to a rock.

There was a whole language that I could never make function for myself in relationship to painting and that was attitudes like tortured struggle pain.

I am never going to have anything more to do with politics or politicians. When this war is over I shall confine myself entirely to writing and painting.

Some say they see poetry in my paintings I see only science.

It all has to do with art - writing painting things I've done for a long time but just never had enough time to pursue. I have poetry - things that are designed for songs but they're always poems first.

I was influenced by surrealist poetry and painting as were thousands of other people and it seems to me to have become a part of the way I write but it's not.

I love painting and music of course. I don't know nearly as much about them as I know about poetry. I've certainly been influenced by fiction. I was overwhelmed by War and Peace when I read it and I didn't read it until I was in my late 20s.

American poetry like American painting is always personal with an emphasis on the individuality of the poet.

I work on words mostly toward them being poetry or short stories and then some of those become songs. They all find their place in the world but they all start off in the same place. I'm always painting and drawing as well and it's an ongoing creative assignment.

Art works because it appeals to certain faculties of the mind. Music depends on details of the auditory system painting and sculpture on the visual system. Poetry and literature depend on language.

Painting is silent poetry and poetry is painting that speaks.

Unfortunately after Sept. 11 there was an outburst in America of intense suffering and patriotism and the Bush administration was very shrewd and effective in painting anyone who disagreed with the policies as unpatriotic or even traitorous.

Painting will have to deal more fully and less obliquely with life and nature's phenomena before it can again become great.

My aim in painting has always been the most exact transcription possible of my most intimate impression of nature.

Painting from nature is not copying the object it is realizing one's sensations.

Writing has laws of perspective of light and shade just as painting does or music. If you are born knowing them fine. If not learn them. Then rearrange the rules to suit yourself.