One must never assume that a character is sympathetic because of either the actor playing them or the fact that they're a lead. I think that's a recipe for failure actually because if they become unsympathetic you lose your audience.
Big companies are like marching bands. Even if half the band is playing random notes it still sounds kind of like music. The concealment of failure is built into them.
I've come to believe that all my past failure and frustration were actually laying the foundation for the understandings that have created the new level of living I now enjoy.
I wouldn't say I'm a method actor. I do research when I feel I don't have enough experience for the part I'm playing.
Acting is a very personal process. It has to do with expressing your own personality and discovering the character you're playing through your own experience - so we're all different.
My experience with both my parents is that grief has a lot of down sad things but I was also really emotionally raw in the first year after each of them passed. Flowers smelled more intensely my relationships were hotter and I was more willing to risk. I was going for it a lot more. I was 'unsober' and I wasn't playing by my rules.
It was a great experience for a kid because it was a bunch of kids playing on pirate ships and water slides so looking back on it it was the fondest experience of my childhood.
The most experience I had in the criminology field is playing a thug as an actor. That was my first paid job. The police academy at the college was paying people to reenact the calls that potential cops would get. So I got to play thugs and people who were unruly.
I've learned through experience of playing different characters some of whom were jerks that when you play a character who is pretentious or obnoxious in any way it's important to knock them down a peg.
You can't dodge them all. I got hammered plenty of times through the years. But you just get up and keep playing. I can tell you from experience though. Sometimes it hurts like hell.
The essence of a role-playing game is that it is a group cooperative experience.
Being an actor means asking people to look at you. I guess I accept that. But it's a profession in which the job is to show another world and other people. You may access it through bits of yourself and your imagination and experience but actually in the end you're not playing yourself.
For some young people their first experience ever hearing punk rock music was playing the Green Bay Packers on 'Madden'.
I've been playing against older and stronger competition my whole life. It has made me a better tennis player and able to play against this kind of level despite their strength and experience.
Going out and playing football or baseball with the boys when I was a tomboy was a great way to learn about winning and losing and most girls didn't have that experience.
Life is like playing a violin solo in public and learning the instrument as one goes on.
The media says that equality for women has arrived but if you look around you still don't see girls playing guitars and having success with it.
I would have been about seven years old when the formative years of my competitive football education began. I was playing in the local leagues around Manchester playing against lads from tough areas who had been taught they had to fight for everything.
In the 1960s we were fighting to be recognized as equals in the marketplace in marriage in education and on the playing field. It was a very exciting rebellious time.
I am playing the violin that's all I know nothing else no education no nothing. You just practice every day.
Education levels the playing field allowing everyone to compete.
Looking back video game design seems a natural fit although there was no such thing when I was growing up. I built a Tic-Tac-Toe playing machine in my teens which went up in smoke on the night it was scheduled to go to a science fair.
I was in two episodes playing Christopher Reeve's character's emissary. They wanted to have my character announce Dr Swan's death which I thought was exploitative.
It's certain that the death of an actor can be on a television screen playing the same thing every week.