Art is an invention of aesthetics which in turn is an invention of philosophers... What we call art is a game.

The artist one day falls through a hole in the brambles and from that moment he is following the dark rapids of an underground river which may sometimes flow so near to the surface that the laughing picnic parties are heard above.

I've never really had a hobby unless you count art which the IRS once told me I had to declare as a hobby since I hadn't made money with it.

Art produces ugly things which frequently become more beautiful with time. Fashion on the other hand produces beautiful things which always become ugly with time.

Fine art is that in which the hand the head and the heart of man go together.

The very essence of the creative is its novelty and hence we have no standard by which to judge it.

Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep.

First there is the bare beauty of the logs themselves with their long lines and firm curves. Then there is the open charm felt of the structural features which are not hidden under plaster and ornament but are clearly revealed a charm felt in Japanese architecture.

I acquired an admiration for Japanese culture art and architecture and learned of the existence of the game of GO which I still play.

What's fascinating about D.C. the exteriors are these elaborate structures this gorgeous architecture and beautiful stonework and then you go inside and it's crap-looking - apart from the White House which is beautiful.

But after the time there I'd had it with fashion again so I left to go to architecture school in a summer course at Harvard which didn't last very long.

After about the first Millennium Italy was the cradle of Romanesque architecture which spread throughout Europe much of it extending the structural daring with minimal visual elaboration.

The same sort of thing happened in my dispute with the National Trust book: Follies: A National Trust Guide which implied that the only pleasure you can get from Folly architecture is by calling the architect mad and by laughing at the architecture.

When I write now I do not invent situation characters or actions but rather structures and discursive forms textual groupings which are combined according to secret affinities among themselves as in architecture or the plastic arts.

Architecture will always express the technical and social progress of the country in which it is carried out. If we wish to give it the human content that it lacks we must participate in the political struggle.

Architecture is a science arising out of many other sciences and adorned with much and varied learning by the help of which a judgment is formed of those works which are the result of other arts.

And when an architect has designed a house with large windows which is a necessity today in order to pull the daylight into these very deep houses then curtains come to play a big role in architecture.

The logic of Palladian architecture presented an aesthetic formula which could be applied universally.

I strive for an architecture from which nothing can be taken away.

Architecture of all the arts is the one which acts the most slowly but the most surely on the soul.

We are stymied by regulations limited choice and the threat of litigation. Neither consultants nor industry itself provide research which takes architecture forward.

It seems a fantastic paradox but it is nevertheless a most important truth that no architecture can be truly noble which is not imperfect.

No architecture is so haughty as that which is simple.

It is impossible as impossible as to raise the dead to restore anything that has ever been great or beautiful in architecture. That which I have insisted upon as the life of the whole that spirit which is given only by the hand and eye of the workman can never be recalled.