In my childhood America was like a religion. Then real-life Americans abruptly entered my life - in jeeps - and upset all my dreams.
Art is for entertainment purposes but it's also to reflect our dreams our hopes the present the future the past - whether it's good or bad.
My dreams and aspirations when I was a child for as long as I can remember was to be an entertainer.
We use our parents like recurring dreams to be entered into when needed.
Never in my wildest dreams did I entertain the idea that I would become a fashion designer.
Whenever I design any variant or when anybody sends me one I always say if at all possible within the context of the game don't have two home supply centers touching each other.
We opened a design center in the South of England last year as part of our strategy for being close to our customers and developing innovative products for exciting new markets.
I look at each episode in two ways - from a design standpoint and from an entertainment standpoint - this is TV after all. We usually succeed on at least one of the levels.
User-centered design means working with your users all throughout the project.
The reward is that you can actually create a world separate from reality with a story actors music and camera design. When it works it can entertain move people and teach us all.
User-centered design means understanding what your users need how they think and how they behave - and incorporating that understanding into every aspect of your process.
Nobody with an IQ higher than emergency-room temperature could ever believe that 'death panels' would be appointed to nudge the elderly toward euthanasia. Yet for idle entertainment it's hard to beat Sarah Palin's ignorant nattering on the subject.
Everybody is entertained to death.
The Teutons have been singing the swan song ever since they entered the ranks of history. They have always confounded truth with death.
Death is someone you see very clearly with eyes in the center of your heart: eyes that see not by reacting to light but by reacting to a kind of a chill from within the marrow of your own life.
Live your life that the fear of death can never enter your heart.
I wouldn't tell you anything about anybody I cared about because it becomes entertainment for other people and it sort of just cheapens everything in your life. I would never tell you if I was dating anybody.
I can't imagine dating a boy meeting him only outside the home. What's a home and family for if it's not the center of one's life?
My mom and dad - they were always there. They were always on the set. They focused on our family life. The entertainment business wasn't the end-all. They weren't out to get the next big paycheck or the next big movie. It was about 'What can we do as a family.'
I needed to step away from music because the truth was I couldn't be the dad I wanted to be to my kids. My truth was that I could not reconcile the two worlds - the entertainment world and being the dad I wanted to be in the present. You can't substitute time you just can't.
I wasn't aware of my dad being an actor when I was young. I remember there was an Australian children's entertainer on television called Ralph Harris and when I'd say my father was an actor kids would say you know 'oh is he Ralph Harris?' And I had to say no and then they would lose interest.
The best thing I ever learned from my dad was he knew he wasn't the best of singers but he always knew he was a great entertainer and I always thought that was a good concept to bring along that ultimately acting is an entertainment art and you have to be aware of the fact that you want people to be excited to be watching you.
My dad was a carpenter and I would work with him during the summer and umpire on the nights I wasn't playing.
I come from an ordinary family - my dad is a carpenter a roof-maker - and we've always loved racing together.
In approaching our subject it will be best without attempting to shorten the path by referring to famous theories of the drama to start directly from the facts and to collect from them gradually an idea of Shakespearean Tragedy.