We all respect sincerity in our friends and acquaintances but Hollywood is willing to pay for it.

All the actors I respect especially old-Hollywood actors the reason I think so many of them have had long careers is that there is a sort of mystery about them. You don't know what they do on Friday nights when they go home from work. You have no clue. You have this sort of fantasy about them.

People don't talk about religion a lot in Hollywood because it's not an incredibly safe place to do it.

Then if your movie clicks with real audiences you'll be sucked into some sort of Hollywood orbit. It's a devil of a place where the only religion that really counts is box office.

I've seen it too many times in Hollywood. Talking about a relationship in public can jinx it. And if you have your picture taken together you might as well start packing your bags.

I've never really had a relationship with Hollywood. I've never had a desire to work there.

A lot of Hollywood couples get married young and wind up growing out of their relationship.

I want to be a positive role-model for my daughter. The last thing I want to put out there is that it's acceptable to be too thin or have an eating disorder because you're in Hollywood.

Broadway is such a diverse community. Everybody knows how I believe and everyone believes and it's not a big deal. But in Hollywood if you talk about politics - especially if you're a Republican - or spirituality it's just not something people want to hear about.

The days when the words 'Hollywood actor' framed Ronald Reagan like bunny fingers as an ID tag and an implied insult seem far-off and quaint: nearly everybody in politics - candidate consultant pundit and Tea Party crowd extra alike - is an actor now a shameless ham in a hoked-up reality series that never stops.

There are a lot of conservative people a lot of moderate people Republicans Democrats in Hollywood. It is just that the conservative people by the nature of the word itself play closer to the vest. They do not go around hot dogging it.

I don't think the competition's so rough within the majority of movies made in Hollywood.

I began to feel that the drama of the truth that is in the moment and in the past is richer and more interesting than the drama of Hollywood movies. So I began looking at documentary films.

At the time I came along Hollywood's idea of teen movies meant there had to be a lot of nudity usually involving boys in pursuit of sex and pretty gross overall. Either that or a horror movie. And the last thing Hollywood wanted in their teen movies was teenagers!

That's the way this business works: if your movies do well at the box office you will be offered more movies. It doesn't matter if you're a nice guy or you're a prick. If your movies do well there's a job waiting for you in Hollywood. It's not any more complicated than that.

I don't think Hollywood was trying to do anything with me. In fact they lost interest pretty quick. I think I got lucky briefly in the '90s and it just so happened that those movies were the opportunities that came my way. Then it just kind of stopped.

If I have to produce movies direct movies whatever to change the way Hollywood treats older women I'll do it. If I have to bend the rules I will. If I have to break them I will.

The way Hollywood portrays mothers - you're either all good and saint-like or you're all bad. And I think the real honesty of motherhood is not given a voice in movies. I miss that as an audience member.

Most movies suck even the independent ones. Hollywood is like baseball: Hit three good ones out of 10 and you're a Hall of Famer.

Some movies bring out the creativity in you. Every single audience member can become creative in the face of a particular movie. If you happen to like my films it's because my films provide a bed for you on which you can find your creativity. The Hollywood movies do not provide that for you.

It's so great in Hollywood now. You have people past 40 sitting and talking about serious stuff writing and making movies and TV but there's laser pistols and superheroes and alien monsters involved. It's viable and mainstream.

I guess maybe I try to make movies that are closer to real life than are many Hollywood movies. But I still try to stay within a commercial narrative a contemporary American vernacular.

You know when Hollywood does a great big blockbuster that really wraps you up in a world and lets you believe in extraordinary things that move you in some way in an almost operatic sensibility? That to me is the most fun I have at the movies.

Awards were made in Hollywood in whatever the time it was created. They're to promote each other's movies. You give me an award I give you an award and people will believe that we are great movies and they'll go to see them. It's still the same.