I'm knocking our pitiful pathetic lawmakers. And I thank God that President Bush has stated we need a Constitutional amendment that states that marriage is between a man and a woman.
As this body of knowledge has evolved a much more critical job for researchers and scientists has evolved into explaining and educating policy makers and the public to the risks of global warming and the possible consequences of action or of no action.
We do not need to be shoemakers to know if our shoes fit and just as little have we any need to be professionals to acquire knowledge of matters of universal interest.
The resistance of policy-makers to intelligence is not just founded on an ideological presupposition. They distrust intelligence sources and intelligence officials because they don't understand what the real problems are.
Here's the teaching point if you're teaching kids about intelligence and policy: Intelligence does not absolve policymakers of responsibility to ask tough questions and it doesn't absolve them of having curiosity about the consequences of their actions.
And I argued with that intelligence estimate and I think it is a responsibility of policymakers to use their best judgment on the basis of the intelligence they've received.
Policymakers have to make judgments based on the best intelligence they get.
I hope people don't compare 2D and 3D because 3D's new it's unfair to compare to 2D which is really sophisticated even when we're jaded about it. 3D just began give it a chance let the equipment and projection system catch up and be better let the price go down let more filmmakers get a hold of it more easily.
We are not makers of history. We are made by history.
During my nearly five years as director-general of WHO high-level policymakers have increasingly recognized that health is central to sustainable development.
Since 1994 lawmakers on both sides of the aisle have considered it politically risky to offer a plan to fix America's broken health care system. The American public though has paid the price for this silence as health care costs skyrocketed millions went uninsured and millions more grappled with financial insecurity and hardship.
Yeah it's odd when you look back at your own work. Some filmmakers don't look back at their work at all. I look at my work a lot actually. I feel like I learned something while looking at stuff I've done in terms of what I'm going to do in the future mistakes I've made and things at work or what have you.
It's a funny thing because you look at the careers of other filmmakers and you see them sort of slow down and you realize maybe this becomes harder to do as you get older. That's sort of a cautionary thing. I hope it doesn't happen to me.
I love nerds. Comic-Con junkies are the tastemakers of tomorrow. Isn't that funny? The tables have turned.
I hope to continue my friendship with France and its filmmakers for many years to come.
Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists and have a certain amount of freedom when they work and they're more like independent filmmakers making their way through big studios.
But short films are not inferior just different. I think the short gives a freedom to film-makers. What's appealing is that you don't have as much responsibility for storytelling and plot. They can be more like a portrait or a poem.
Never be a food snob. Learn from everyone you meet - the fish guy at your market the lady at the local diner farmers cheese makers. Ask questions try everything and eat up!
There's so many things I want to do. I want to work with great filmmakers great actors great scripts. And there's no reason for me to do anything short of that because I'm 24 I don't have a family I don't need to make tons of money and I'm not dying to get famous.
When I did 'E.T. ' it sort of solidified the only family I know are these film crews. These gypsies. These filmmakers. That was the solidification and the clicking revelations of 'This is what I want to do with my life and this is where I'm going to survive.'
Women are in my view natural peacemakers. As givers and nurturers of life through their focus on human relationships and their engagement with the demanding work of raising children and protecting family life they develop a deep sense of empathy that cuts through to underlying human realities.
Working with HBO was an opportunity to experience creative freedom and 'long-form development' that filmmakers didn't have a chance to do before the emergence of shows like 'The Sopranos.'
I was very inspired by Les Blank's film 'Burden of Dreams.' I think what's unique about his film and the two I've made is that they're close examinations of filmmakers and how their own emotional experiences reflect in the material they're rendering and vice versa - how that material sometimes colors their own lives.
You know Willie Wonka said it best: we are the makers of dreams the dreamers of dreams.
On the other hand if there's an underlying core of poetry that I go to I go to the sea. I've lived on the sea all my life. I live on the sea in Cape Breton.