What is important then is not that the critic should possess a correct abstract definition of beauty for the intellect but a certain kind of temperament the power of being deeply moved by the presence of beautiful objects.
A lot of directors idealize their leading ladies or turn them into these objects of sexuality and beauty.
Poetry lifts the veil from the hidden beauty of the world and makes familiar objects be as if they were not familiar.
That which you create in beauty and goodness and truth lives on for all time to come. Don't spend your life accumulating material objects that will only turn to dust and ashes.
Beauty is our weapon against nature by it we make objects giving them limit symmetry proportion. Beauty halts and freezes the melting flux of nature.
That attitude toward women as objects may have worked for the late Sixties but it doesn't do so now.
A saboteur in the house of art and a comedienne in the house of art theory Lawler has spent three decades documenting the secret life of art. Functioning as a kind of one-woman CSI unit she has photographed pictures and objects in collectors' homes in galleries on the walls of auction houses and off the walls in museum storage.
Appropriation is the idea that ate the art world. Go to any Chelsea gallery or international biennial and you'll find it. It's there in paintings of photographs photographs of advertising sculpture with ready-made objects videos using already-existing film.
What strikes me is the fact that in our society art has become something which is only related to objects and not to individuals or to life.
Skill without imagination is craftsmanship and gives us many useful objects such as wickerwork picnic baskets. Imagination without skill gives us modern art.
In Art man reveals himself and not his objects.
Artists don't make objects. Artists make mythologies.
Works of art in my opinion are the only objects in the material universe to possess internal order and that is why though I don't believe that only art matters I do believe in Art for Art's sake.
To create architecture is to put in order. Put what in order? Function and objects.
Anger and jealousy can no more bear to lose sight of their objects than love.
By far the greatest part of those goods which are the objects of desire are procured by labour and they may be multiplied not in one country alone but in many almost without any assignable limit if we are disposed to bestow the labour necessary to obtain them.