I work on a TV show I love I have the opportunity to do movies with actors I respect and I'm in love with the man I want to spend the rest of my life with who pushes me and excites me.

I would love to direct but I feel like directing is a whole separate craft and so I tend to respect it as a separate craft that I would need to study first. So right now I'm still trying to do certain things as an actor and until I get bored of that or I feel completely fed by that then I'll move into directing.

I don't wilt easily and a director can't either. He's the captain of the ship and he's got to be in total control. He also has to have respect for the people he's working for. From being an actor and being on a set my whole life I'm very comfortable there. And I'm not afraid.

This acting's serious! And I really respect those actors. It's a tough business to be able to be something you're not and be natural and convince people on camera.

I had found English audiences highly satisfactory. They are the best listeners in the world. Perhaps the music-lovers of some of our larger cities equal the English but I do not believe they can be surpassed in that respect.

I've always wanted to work with Blair and finally the timing was right. I have a tremendous amount of respect for him. I think he's a hugely underrated actor in Hollywood.

I saw and I met a lot of people who were in the field. It also provided a context in which I came to respect what the actor did because I saw how difficult it actually was to do.

Directing has only increased my admiration and respect for what it is that actors do.

As an actor you really want to respect and honor the script. You want to try to be in the moment and you also realize that you're one part of a bigger picture and when they call action you have your dance.

I want to establish a wide range and play all kinds of parts. It's that sort of acting career I really respect. I like to turn a sharp left from whatever I've done before because that keeps me awake. That's why I want to be an actor - I don't want to play endless variations on one character.

All the actors I respect especially old-Hollywood actors the reason I think so many of them have had long careers is that there is a sort of mystery about them. You don't know what they do on Friday nights when they go home from work. You have no clue. You have this sort of fantasy about them.

Among those who are satisfactory in this respect it is desirable to have represented as great a diversity of intellectual tradition social milieu and personal character as possible.

There is only one thing I respect in so-called Broadway actors... and that is their competitive sense.

I have the absolute utmost respect for soap opera actors now. They work harder than any actor I know in any other medium. And they don't get very much approbation for it.

As a younger actor you want to be approved of you want to gain respect be admired. All of those things. To say: 'This is me playing this character. And aren't I fantastic!' I don't feel that so much now.

So it's kind of nervous to be in this situation but at the same time you look at all those actors and the work that they've done I've been in bigger films than all of them and still kept my integrity and still kept my respect.

Another important historical factor is the fact that this already very simple religion was further simplified and purified by the early philosophers of ancient China. Our first great philosopher was a founder of naturalism and our second great philosopher was an agnostic.

But like a born actor who only really wants to direct Gingrich has always been unsatisfied with what he's brilliant at. He can't still his hunger to deliver grand pronouncements on life liberalism conservatism religion and whatever else swims into his consciousness.

I have never understood that. I come from a place where the press makes or breaks an actor and it is more of a teamwork relationship.

As much as the mystery element is all a lot of fun when you do go to 'Edwin Drood ' you're going to a theatre to see a show about going to a theatre and what that relationship between actors and audiences has been for years.

The relationship between an actor and a director is like a love story between a man and a woman. I'm sure sometimes I'm the woman.

I was supposed to have a relationship with Judy but that never happened. Actors in series didn't have the control that they have today over their jobs.

You can't be a casual observer of something humorous - you have to engage you have to find it funny for the relationship between actor and audience to work.

It's developing a relationship with actors that makes it work.