Mom always tells me to celebrate everyone's uniqueness. I like the way that sounds.
I have lots of records quite a collection actually that I stole from my mom. I have the original 'Thriller' album and I have a really great 'Elton John's Greatest Hits ' and I also have a N.E.R.D. album. Records sound more original. They have more edge.
I grew up in Marcy Projects in Brooklyn and my mom and pop had an extensive record collection so Michael Jackson and Stevie Wonder and all of those sounds and souls of Motown filled the house.
Not to be weird but I still have an ongoing relationship with my mom even though she passed away and I've been surprised at how much I've been able to convey to her. Now I sound like a total weirdo but that's true.
The 'morality of compromise' sounds contradictory. Compromise is usually a sign of weakness or an admission of defeat. Strong men don't compromise it is said and principles should never be compromised.
If someone talks about union fidelity a monogamous relationship love blessing I would say it sounds like marriage to me. And blessing you see I think is undermining our sacrament of marriage.
It sounds like a cliche but I also learnt that you're not going to fall for the right person until you really love yourself and feel good about how you are.
I love power. But it is as an artist that I love it. I love it as a musician loves his violin to draw out its sounds and chords and harmonies.
It's not an act. I love it. It's totally original. People go 'What's going on with this guy? Why does he sound so weird? What is going on in his brain. I don't know. Just one day I suddenly woke up with a new brain.
The sweetest of all sounds is that of the voice of the woman we love.
Life's but a walking shadow a poor player that struts and frets his hour upon the stage and then is heard no more it is a tale told by an idiot full of sound and fury signifying nothing.
Even in the beginning when we knew there was a legal argument about how much our song sounds like his song as one songwriter to another I wasn't sure that Cat Stevens would take that as bad.
I was 17 and just learning what high fidelity was what good sound was and learning the mechanics of tape machines. It was a real education going right from the consumer end to the record factory.
I sat staring staring staring - half lost learning a new language or rather the same language in a different dialect. So still were the big woods where I sat sound might not yet have been born.
Acting is not about dressing up. Acting is about stripping bare. The whole essence of learning lines is to forget them so you can make them sound like you thought of them that instant.
And one thing I definitely enjoyed personally from a selfish point of view was exploration and going to places that I had never been to before and learning you know meeting the people and getting to know new sights and sounds etc.
I have witnessed how education opens doors and I know that when sound instruction takes place students experience the joys of new-found knowledge and the ability to excel.
Darrell is really good in the studio. I mean he has a real working knowledge of how the process works and what sounds good coming back over tape and how the stuff works together.
I had a vision how it should sound and I put all my knowledge into this product and it is a fantastic product. People still tell me that I have the best musical thing there.
Useless knowledge can be made directly contributory to a force of sound and disinterested public opinion.
I do believe states' rights was a sound doctrine that got hijacked by some unsavory customers for a while - like 150 years or so. I'm professionally obliged to believe that knowledge is better than ignorance but some kinds of forgetting are OK with me.
Nevertheless I consider OOP as an aspect of programming in the large that is as an aspect that logically follows programming in the small and requires sound knowledge of procedural programming.
'For Unlawful Carnal Knowledge' took a year to record that's why the playing on it might sound somewhat labored. 'Balance ' on the other hand was written and recorded in only four months so the whole process was quicker and more immediate.
Melville brought to the task a sound knowledge of actual whaling much curious learning in the literature of the subject and above all an imagination which worked with great power upon the facts of his own experience.
Working on 'Gossip Girl' was a fantastic experience. It was my first real gig and I'm thankful for it - I got to learn a lot. I'm glad I got to explore getting comfortable in my own shoes in the background on a show like 'Gossip Girl.'