I've had a lot of experience in independent film and about how to choose. You've got to be very discerning about where you put your five bucks and where you cut and what you don't cut.
You ask any moviemaker what their favorite movie experience was and they'll say it was one of the first ones where everyone had to pitch in and do everything together and you had to struggle.
It's been my experience that every time I think I know where it's at it's usually somewhere else.
If there's any object in human experience that's a precedent for what a computer should be like it's a musical instrument: a device where you can explore a huge range of possibilities through an interface that connects your mind and your body allowing you to be emotionally authentic and expressive.
In some movies you feel like you're a very small part of a huge machine. Whereas in the theater you can have a very small part but you can still feel the weight and the gravity of it. Given the nature of theater it's a more concentrated and quiet experience.
I think that the mark of a great book is that it will meet you wherever you're at and you'll feel and experience something new and different each time you read it.
Directing is a more pragmatic experience where you have to deal with the restrictions of time and money that force you to make certain decisions you don't have to make when you're writing.
The experience gathered from books though often valuable is but the nature of learning whereas the experience gained from actual life is one of the nature of wisdom.
There's full consensus in the military that women shouldn't be in person-to-person combat. I don't know if we have enough experience to know whether this is the right approach. But women can be elsewhere. We have mandatory military service in Chile. I pushed for women in all areas.
The fact that I am a writer comes from the experience of being cut away from my roots and living in Venezuela where I couldn't find a place for myself for years and years.
Religion points to that area of human experience where in one way or another man comes upon mystery as a summons to pilgrimage.
Games have grown and developed from this limited in-the-box experience to something that's everywhere now. Interactive content is all around us networked ready. This is something I've been hoping for throughout my career.
You experience the films through the actors so they're all locked into your imagination in some kind of layer of fantasy or hatred or wherever they settle into your imagination.
Some of us are interested in directors but really the vast majority of us are interested in actors. You experience the films through the actors so they're all locked into your imagination in some kind of layer of fantasy or hatred or wherever they settle into your imagination.
To the artist is sometimes granted a sudden transient insight which serves in this matter for experience. A flash and where previously the brain held a dead fact the soul grasps a living truth! At moments we are all artists.
A great deal has been written in recent years about the purported lack of motivation in the children of the Negro ghettos. Little in my experience supports this yet the phrase has been repeated endlessly and the blame in almost all cases is placed somewhere outside the classroom.
I was emotionally and physically punched in the stomach. This is not a place where you go and deliver the lines and then you come back. It's kind of a life-changing experience. But it can't get better than this for any actor - this is like an opera.
I have this horrible sense of humor where I think discomfort is funny - partly because I experience discomfort a lot and it's a way of laughing at it and getting a release.
All of the legal defense funds out there they're looking for people out there with court of appeals experience because court of appeals is where policy is made. And I know I know this is on tape and I should never say that because we don't make law I know. I know.
Making an album should be an honest experience. It shouldn't be about trying to gauge where popular music is today it should be about artistic expression and putting down what you want to put down.
I'd done table reads for my own screenplays and I always thought they were so much fun. Why couldn't we do these for other classic screenplays and bring them to life? You can experience live theater where you get to see plays produced by different directors and different casts but there's really nothing like that for movie scripts.
Where you are in consciousness has everything to do with what you see in experience.
One nice thing about being a woman in Hollywood is that the women tend to be very close-knit. All of us writers and directors know each other and cling to each other for safety and support and it's really a completely different vibe than the men experience out here where they're all trying to murder each other.
There's probably no experience more alienating than fame other than a terminal illness where you actually find yourself in a situation that nobody around you can relate to.
Mental illness can happen to anybody. You can be a dustman a politician a Tesco worker... anyone. It could be your dad your brother or your aunt.