I've got a real sense of three-dimensional geometry. I can look at a flat piece of fabric and know that if I put a slit in it and make some fabric travel around a square then when you lift it up it will drape in a certain way and I can feel how that will happen.

I don't particularly enjoy watching films in 3D because I think that a well-shot and well-projected film has a very three-dimensional quality to it so I'm somewhat sceptical of the technology.

I just hate one-dimensional portrayals of religion it's too cheap and easy to do and ignores the nuances that go into having a belief system.

Of course God is endlessly multi-dimensional so every religion that exists on earth represents some face some side of God.

The only person who had any control was Jonathan Harris. His character was so flamboyant that he was able to make things happen. My character was fairly one-dimensional so I had my relationship with Dr. Smith and with the family.

There is a general knowledge that I am multi-dimensional that when you are creative you do a lot of things.

I suppose I look for humor in most situations because it humanizes things it makes a character much more three-dimensional if there's some kind of humor. Not necessarily laugh-out-loud type of stuff just a sense that there is a humorous edge to things. I do like that.

I'm a multidimensional person and that's the freedom of fashion: that you're able to reinvent yourself through how you dress and how you cut your hair or whatever.

Poverty is multidimensional. It extends beyond money incomes to education health care political participation and advancement of one's own culture and social organisation.

Initially it was the unpractical in fashion that brought me to design my own line. I felt that it was much more attractive to cut clothes with respect for the living three-dimensional body rather than to cover the body with decorative ideas.