Literature is my life of course but from an ontological point of view. From an existential point of view I like being a teacher.
I dropped out of high school when I was 16 after I had a huge argument with my English teacher over the meaning of the word 'existentialism.'
Existentialism is about being a saint without God being your own hero without all the sanction and support of religion or society.
Negro music and culture are intrinsically improvisational existential. Nothing is sacred. After a decade a musical idea no matter how innovative is threatened.
The printed page conveys information and commitment and requires active involvement. Television conveys emotion and experience and it's very limited in what it can do logically. It's an existential experience - there and then gone.
Madness need not be all breakdown. It may also be break-through. It is potential liberation and renewal as well as enslavement and existential death.
Buying a car used to be an experience so soul-scorching so confidence-splattering so existentially rattling that an entire car company was based on the promise that you wouldn't have to come in contact with it.
Right after 'Raymond' I had a world-is-my-oyster attitude but I found out I don't like oysters. I had this existential emptiness. 'What is my purpose? Who am I?' I had a big identity crisis.
The price of a work of art has nothing to do with what the work of art is can do or is worth on an existential alchemical level.
In Fargo they say well that's a job. How well do you get paid? For example for this book I was written about in Entertainment Weekly and it was kind of cool because my mom asked me if Entertainment Weekly was a magazine or a newspaper.