The thing about romance and romantic movies is that they can be somewhat melodramatic. For a lot of actors there's a certain cringe factor that's involved with that.

I think that's what distinguishes Schmidt really. In the movies now so much of what is appealing to an audience is the dramatic or has to do with science fiction and Schmidt is simply human. There's no melodrama there's no device It's just about a human being.

I watched a lot of silent directors who were absolutely great like John Ford and Fritz Lang Tod Browning and also some very modern directors like The Coen Brothers. The directors take the freedom within their own movies to be melodramatic or funny when they chose to be. They do whatever they want and they don't care about the genre.

It's interesting - I always thought when I was doing more melodramatic stuff like 'Everwood' that the directors were constantly reeling me in and stopping me from being funny.

Madonna remains the most visible performer on the planet as well as one of the wealthiest but would anyone seriously say that artistic self-development is her primary motivating principle? She is too busy with Kabbalah fashion merchandising adoption melodramas the gym and ill-starred horseback riding to study art.