I think if you're at the point where you're popular enough to sell your wedding photos to OK! Magazine then you don't need the money.
I don't take any photographs. I travel a lot by myself and I feel weird taking photos on my own.
As an avid photographer I also took advantage of the latest technology in photography - digital photography - to post photos on my website on a daily basis.
Advancements in technology have become so commonplace that sometimes we forget to stop and think about how incredible it is that a girl on her laptop in Texas can see photos and cell phone video in real time that a young college student has posted of a rally he's at in Iran.
I never wore a tie voluntarily even though I was forced to wear one for photos when I was young and for official events at school. I used to wrap my tie in a newspaper and whenever the teacher checked I would quickly put it on again. I'm not used to it. Most Bolivians don't wear ties.
All pictures are unnatural. All pictures are sad because they're about dead people. Paintings you don't think of in a special time or with a specific event. With photos I always think I'm looking at something dead.
I respect newspapers but the reality is that magazine 'photojournalism' is finished. They want illustrations Photoshopped pictures of movie stars.
It's like those high-school yearbook photos that everyone would rather not see: Oh my God look at that mullet hair. I have those photos too but for me they're like entire movies. And they show them on cable.
I've exchanged messages and photos of an explicit nature with about six women over the last three years. For the most part these communications took place before my marriage though some have sadly took place after. To be clear I have never met any of these women or had physical relationships at any time.
We knew that if the photos of CIA officers conducting authorized EIT (enhanced interrogation techniques) ever got out the difference between a legal authorized necessary and safe program and the mindless actions of some MPs (military police) would be buried by the impact of the images.
I had this wild imagination. I was never me. All my childhood photos I'm in fancy dress playing a Russian refuge or Marvelous Mad Madam Mim.
I was on the yearbook staff so I would take out film cameras and Nikons and take photos around school and at sporting events and things like that. We had a darkroom as well. I just loved it. I also saved up for a video camera to video my friends and cut and paste the videos together and I gave them to all of my friends for graduation.
There's such big pressure on people who are incredibly famous on those who have people sitting outside their front door and taking photos every time they move.
When you see a fantastic colour or cut in a magazine perched up on some famous so-and-so's head it's tempting to ask your stylist for the same but do not be fooled. The hair in those fancy photos can be very high maintenance.
I always put clothes and family photos under the mattress in case the house burns down.
I think newspapers shouldn't try to compete directly with the Web and should do what they can do better which may be long-form journalism and using photos and art and making connections with large-form graphics and really enhancing the tactile experience of paper.
My strangest media moment a photo session they all had dressed up like 50 gangsters. That was pretty cool. We have to get some more of those kind of photos sometimes.
People see my photos and think I labor over my image and I'm this cool brooding artist. But I'm just having fun with it.
A whopping 89 percent of buyers start their home search online. How your house looks online is the modern equivalent of 'curb appeal.' Rent a wide-angle lens and good lighting get rid of your clutter and post at least eight great photos to win the beauty contest.
I was dating my first boyfriend in high school for a long time and we broke up before prom. I hadn't met anyone else that I really wanted to go with and my friends have always been amazing. So I went with my friends and got a million photos with them!
I mean we've built a lot of products that we think are good and will help people share photos and share videos and write messages to each other. But it's really all about how people are spreading Facebook around the world in all these different countries. And that's what's so amazing about the scale that it's at today.
I've been going through photos of my mother looking back on her life and trying to put it into context. Very few people age gracefully enough to be photographed through their aging.