So did I work with Warhol? I worked with him less on that play then I did on other things. He actually did a portrait of my rabbit and some other stuff. Warhol was definitely... Warhol.

We know evolution happened because innumerable bits of data from myriad fields of science conjoin to paint a rich portrait of life's pilgrimage.

I used to try to draw my girlfriends. I think one of the most romantic things that anybody can do is draw a portrait of the person you love.

It seems to be a law of nature that no man unless he has some obvious physical deformity ever is loth to sit for his portrait.

When I look at great works of art or listen to inspired music I sense intimate portraits of the specific times in which they were created.

There is nothing that special to see when looking at me. I'm a painter who paints day in day out from morning till evening - figure pictures and landscapes more rarely portraits.

People don't have time to wait for somebody to paint their portraits anymore. The money is in photography.

I was going to have cosmetic surgery until I noticed that the doctor's office was full of portraits by Picasso.

I found it an interesting portrait of a marriage in exploring notions of how one partner supports the other whilst not jeopardizing the greater good - which is the family.

It is not likely that posterity will fall in love with us but not impossible that it may respect or sympathize so a man would rather leave behind him the portrait of his spirit than a portrait of his face.

I wanted to translate from one flat surface to another. In fact my learning disabilities controlled a lot of things. I don't recognize faces so I'm sure it's what drove me to portraits in the first place.

There is something uniquely depressing about the fact that the National Portrait Gallery's version of the Barack Obama 'Hope' poster previously belonged to a pair of lobbyists. Depressing because Mr. Obama's Washington was not supposed to be the lobbyists' Washington the place we learned to despise during the last administration.

I do portraits. I usually do live models in a class environment but I've been painting at home more. I really love the human form and I love faces. I've tried to do landscapes a few times.

But short films are not inferior just different. I think the short gives a freedom to film-makers. What's appealing is that you don't have as much responsibility for storytelling and plot. They can be more like a portrait or a poem.

When I was little we had a Golden Book that had all these Disney characters in one portrait on the first page. My dad used to read from it every night. We'd play this game of find Pluto or find Donald Duck. He'd read us stories and do all the voices. Those are great memories.

You don't change the course of history by turning the faces of portraits to the wall.

I love prints of skulls and bones and have some taxidermy - a crow and a rabbit - to remind me of home. I like art and have a big portrait of Bjork.

It took the Metropolitan Museum of Art nearly 50 years to wake up to Pablo Picasso. It didn't own one of his paintings until 1946 when Gertrude Stein bequeathed that indomitable quasi-Cubistic picture of herself - a portrait of the writer as a sumo Buddha - to the Met principally because she disliked the Museum of Modern Art.

Every man's work whether it be literature or music or pictures or architecture or anything else is always a portrait of himself.

You that would judge me do not judge alone this book or that come to this hallowed place where my friends' portraits hang and look thereon Ireland's history in their lineaments trace think where man's glory most begins and ends and say my glory was I had such friends.

I paint self-portraits because I am so often alone because I am the person I know best.

Elizabeth Peyton the artist known for tiny dazzling portraits of radiant youth is now painting tiny dazzling portraits of radiant middle age.