They are representations of many shared hours of collaboration between us all. That's the real nature of the relationship the orchestra and I are trying to build.
I write plays and movies I live and work at the borderline between word and image just as any cartoonist or illustrator does. I'm not a pure writer. I use words as the score for kinetic imagistic representations.
When David Marr at MIT moved into computer vision he generated a lot of excitement but he hit up against the problem of knowledge representation he had no good representations for knowledge in his vision systems.
It's just an unhealthy way to approach something trying to outdo your last thing. You've gotta trust evolution you've gotta trust that the bar is moving that you don't need to force the bar. It'll just happen.