There was certainly less profanity in the Godfather than in the Sopranos. There was a kind of respect. It's not that I totally agreed with it but it was a great piece of art.

I've been working on the soprano saxophone for 40 years and the possibilities are astounding. It's up to you the only limit is the imagination.

I've been watching more American TV because of all the great TV series that have come out in the last five to 10 years. I'm a 'Sopranos' fan I'm a 'Wire' fan I'm a 'Mad Men' fan. I'm a 'Deadwood' fan. It makes me optimistic for the future of storytelling on TV that producers are willing to take that kind of jump.

Like many other touchstones of twenty-first-century pop culture 'The Sopranos' was hatched in the late Nineties predicting a future that never arrived. It was designed for a decade that would be just like the Nineties except more so in an America that enjoyed seeing itself as smarter and braver and freer than ever before.

Working with HBO was an opportunity to experience creative freedom and 'long-form development' that filmmakers didn't have a chance to do before the emergence of shows like 'The Sopranos.'

Nobody was playing the soprano saxophone and certainly nobody was trying to do anything with it. So I was all alone. I didn't know that at first.