All the information you could want is constantly streaming at you like a runaway truck - books newspaper stories Web sites apps how-to videos this article you're reading even entire magazines devoted to single subjects like charcuterie or wedding cakes or pickles.

I carry my own film guys with me now. People think that's a huge expense but with technology like it is these days it's not. You can film videos and everything with a Canon Mark II and shoot a movie. They're doing it for next to nothing by comparison. I can do ten videos for a project for the price of one mainstream video in the past.

In an age of social media and content being key it's important to change the mold where you have $100 000 to $150 000 for one video. I hired some guys that are young just out of college and we used some new far-less-expensive cameras and technology to make videos.

These days there's so much technology and ways you can learn. There are videos and CD roms.

We're seeing how the videos translate to the live shows and how the technology is really reaching kids.

I always say that the real success of Wine Library wasn't due to the videos I posted but to the hours I spent talking to people online afterward making connections and building relationships.

My store Wine Library outsells big national chains. How do you think we do it? It started with hustle. I always say that our success wasn't due to my hundreds of online videos about wine that went viral but to the hours I spent talking to people online afterward making connections and building relationships.

I come from a background of hanging out with friends and shooting videos with them with funny stuff coming out of the group. I guess we got the same charge jocks get out of sports.

Music videos are notoriously long not fun grueling. You are known there as a dancer and it's kind of sad because dancers in a lot of ways are under-appreciated and kind of under-respected when it come to that so they don't necessarily treat you in a nice way when you do a music video.

I love music videos I really do. I think it's kind of sad that it's a dying art form.

I've loved Michael Jackson his music his music videos.

Adam does most of the work when it comes to videos and he basically does the same as I do with the lyrics. The videos are his visual interpretations of our music.

I turned on VH1 this morning just to get a little warm-up before I came over here and I think it's just terrific. There's so much great stuff: diverse and wonderful music good performances great looking girls great videos the whole thing.

I've just been learning how to direct my own videos choreography doing costumes... every creative opportunity there is with my music I've taken.

My favorite show is America's Funniest Home Videos. People will get hit on the head and I feel bad cause I'm laughing my head off!

I was on the yearbook staff so I would take out film cameras and Nikons and take photos around school and at sporting events and things like that. We had a darkroom as well. I just loved it. I also saved up for a video camera to video my friends and cut and paste the videos together and I gave them to all of my friends for graduation.

The thing that helped me get into the film business was that I went to school in Athens Georgia and managed to get on um working on music videos for a band called R.E.M. and that kind of opened up a lot of doors for me.

Appropriation is the idea that ate the art world. Go to any Chelsea gallery or international biennial and you'll find it. It's there in paintings of photographs photographs of advertising sculpture with ready-made objects videos using already-existing film.

I mean we've built a lot of products that we think are good and will help people share photos and share videos and write messages to each other. But it's really all about how people are spreading Facebook around the world in all these different countries. And that's what's so amazing about the scale that it's at today.