I think there are opportunities for women in comedies - how zany is up to them.

Most of the offers I get from Hollywood are for teen comedies. My manager thinks I'm crazy for turning down all that money but I'm very picky.

It seems to me that romantic comedies used to be about falling in love but in recent years they've really become just comedies where the love story is only there as a spine to hang the jokes on.

I love romantic comedies.

I want to do more action adventures and more romantic comedies.

Truthfully I almost avoided 'While You Were Sleeping ' because I find those romantic comedies kind of precious and they're full of lines that leave you feeling a little bewildered when you say them.

There's a hardening of the culture. Reality TV has lowered the standards of entertainment. You're left wondering about the legitimacy of relationships. It's probably harder to entertain the same people with a more classic form of writing and romantic comedies are a classic genre.

I'm not a big fan of romantic comedies believe it or not.

I think in a lot of romantic comedies it ends with a kiss and I feel like in modern day relationships and maybe just my own experience it starts with a kiss and then all sort of falls apart and then comes together. You're texting. You're wondering what's going on. There's no definitions there's no labels.

I'm a really huge fan of the old romantic comedies from the '30s and '40s... Huge fan. I love all that stuff.

The thing you can't let go of is gravity. The reality of gravity in writing. If someone says something really mean in a sitcom and the next wave isn't a reaction to the reality of that you start losing relatability. In a lot of romantic comedies they throw out the rules of life.

Usually in romantic comedies you end up sacrificing a great deal of the complexity - you know just two attractive people and a good soundtrack.

And even Moonstruck - for some reason the audience were just in the mood for a very romantic film because it's one of the few romantic comedies to be nominated for a Best Picture Oscar.

Moonstruck... was one of the few romantic comedies to be nominated for a Best Picture Oscar.

The reason I turn down 99% of a hundred I mean a thousand scripts is because romantic comedies are often very romantic but seldom very funny.

Yeah romantic comedies are the hardest movies to make. Maybe one works a year.

I love romantic comedies or romantic dramas - basically anything with love in it.

I don't want to be pigeonholed into doing just romantic comedies. But they're fun and especially for women it's nice to go to see them and enjoy that breath of fresh air.

I've never felt that I had to take a role in one of those mediocre but hugely budgeted romantic comedies because I want to wear beautiful dresses and have people think I'm pretty and that I get the guy.

I tend to play strong characters and people just assume that I would want to play romantic comedies which I would love to do but there are other women that do it so great and they maybe couldn't do what I do play the kind of characters that I play.

In mainstream romantic comedies I'm usually tearing my hair out. It's just a devastatingly difficult genre for me.

I feel like I've done a bunch of period stuff and then a bunch of romantic comedies.

Even actresses that you really admire like Reese Witherspoon you think 'Another romantic comedy?' You see her in something like 'Walk the Line' and think 'God you're so great!' And then you think 'Why is she doing these stupid romantic comedies?' But of course it's for money and status.

The dark comedies tend to be in a non-releasable area. There can be romantic comedies. There can be dramas. But there's no 'dark comedy' inbox for the advertising.