The scenes on this field would have cured anybody of war.

Some scenes you juggle two balls some scenes you juggle three balls some scenes you can juggle five balls. The key is always to speak in your own voice. Speak the truth. That's Acting 101. Then you start putting layers on top of that.

Concepts like individuals have their histories and are just as incapable of withstanding the ravages of time as are individuals. But in and through all this they retain a kind of homesickness for the scenes of their childhood.

I was sad that Corpse Bride was so short. I would've liked to have had her around for way longer. She doesn't actually have that many scenes.

I'd like to be played as a child by Natalie Wood. I'd have some romantic scenes as Audrey Hepburn and have gritty black-and-white scenes as Patricia Neal.

I'm a fan of daytime drama I totally get it. When we are doing scenes that are romantic or will get the audience riled up I feel like I'm a fan in the room going 'People are going to be so mad right now!'

For behind the scenes halfway around the world in Mexico were two decades of aggressive research on wheat that not only enabled Mexico to become self-sufficient with respect to wheat production but also paved the way to rapid increase in its production in other countries.

I think there are a lot more relationship scenes in my movies that people tend to overlook. A lot of scenes really feel real and are about the characters.

This is the point being missed by readers who lament Liquor's lack of hot sex scenes probably because they aren't old enough to understand that a passionate relationship could be about anything other than sex.

The real rulers in Washington are invisible and exercise power from behind the scenes.

I would like to do something dark or small. I love independent films. I love emotional scenes. I love people who are struggling with something. I think it's just the juxtaposition to my incredibly happy positive demeanor.

No 'F/X 2' was a job. I enjoyed doing it but that was definitely a job. I wrote that I didn't direct it but 'Candyman' and the earlier horror movies I made I was completely into horror and suspense and always have been. It's informed everything I've done even the way scenes are shot in 'Kinsey and 'Gods and Monsters.'

I use to watch like maybe three or four movies five days out of the week. I was a movie buff but I really didn't know what it was like behind the scenes or the whole political process of it.

Movies have to handle time very efficiently. They're about stringing scenes together in the present. Novels aren't necessarily about that.

I don't even like watching sex scenes in movies. I have a slight prudish side to me.

Before I'd written movies I never could do big set-piece scenes with a lot of different speakers - when you've got twelve people around a dinner table talking at cross purposes. I had always been impressed by other people's ability to do that.

I don't get it when you get so much openness about the way movies are made and the special effects and the behind-the-scenes stuff and all of that. I can't help but feel like this reduces it a little bit.

A lot of action movies today seem to have scenes that just lead up to the action.

Shoot a few scenes out of focus. I want to win the foreign film award.

In The Touch the love scenes are the same as they were in The Thorn Birds or anything else I've ever written. I find a way of saying that either it was heaven or hell but in a way that still leaves room for the reader to use their own imagination.

The peculiar fascination which the South held over my imagination and my limited capital decided me in favor of Atlanta University so about the last of September I bade farewell to the friends and scenes of my boyhood and boarded a train for the South.

I love making movies and hope to write my own screenplay someday and do some producing and be behind-the-scenes as well.

It's possible that I've matured as a writer and I hope I've matured emotionally but I always find myself revisiting these adolescent scenes.

Great nations are simply the operating fronts of behind-the-scenes vastly ambitious individuals who had become so effectively powerful because of their ability to remain invisible while operating behind the national scenery.