I've already established my (political)machinery. It's like a car. It's fixed already. You just have to get in and drive it.

Now I'm having to live with sales of around 50 000 per album - but I'm pretty content with my place in the general scheme of things even if it's meant I don't drive a fancy car and can't afford grand vacations.

On the dance floor as much as you say 'Ladies you are the car. He is the driver. You can only go where he takes you ' they still try to be in control.

I'd rather drive the yellow brick road you wouldn't happen to know of a rental car place around.

Is it sufficient that you have learned to drive the car or shall we look and see what is under the hood? Most people go through life without ever knowing.

The thing about New York is you can leave your house without a plan and find the day. You can't do that in Los Angeles. You need to get in your car all this you can't just drive around like a lunatic. In New York you can literally walk outside and wind up anywhere.

Acting advice is a bit like your parents teaching you how to drive a car. You know they're right but you still kind of want them to shut up a bit.

You don't have to worry about whether the car is set up right or not you know it is and it's down to you. Ultimately that's what every driver wants.

I mostly drive around in a Fiat 500 TwinAir and that's a pretty small car!

I drive a car that has pleather seats.

I'm like 'Would you be the person in the room that would boo when Dylan went electric? I know I wouldn't. Or are you the person that left The Beatles after 'She Loves You ' or 'Drive My Car?' You weren't on board for 'Revolution 9' or 'Day In The Life ' were you?'

Space isn't remote at all. It's only an hour's drive away if your car could go straight upwards.

Every little kid has always wanted to be a race car driver. This gets some of that out.

I think the true test of a pop song for me and I've talked to a lot of other writers about this is you take your demo you pop it in your car and you drive down Sunset Blvd. to Santa Monica and that's the Hollywood car test.

No in Lethal Weapon I was a taxi cab driver that Mel jumps in front of the taxi and pulls me out of the car and steals the taxi. Then I did some other indie driving for some of the car sequences.

The driver of a racing car is a component. When I first began I used to grip the steering wheel firmly and I changed gear so hard that I damaged my hand.

I think there's a suspicion in the South of people putting on airs. You see it in most successful Southern politicians but you also see it in someone like Richard Petty who may be a multimillionaire stock car driver but he's also beloved because he has a nice self-deprecatory way about him.

I live in a kind of gay bubble. I live in a gay house I drive a gay car. I eat gay food.

I will never have a drink and get behind the wheel of a car. It's not illegal to drink and drive but there becomes a certain point where it does become a crime.

I feel comfortable around every driver out there and each driver is in charge of their own car but you feel very secure racing the competition out there.

I think I'm pretty smart on what I spend my money on. I still don't have a new car I drive my old car that I've had forever. But I bought a house in downtown Chicago.

Every summer my husband and I pack our suitcases load our kids into the car and drive from tense crowded New York City to my family's cottage in Maine. It's on an island with stretches of sea and sandy beaches rocky coasts and pine trees. We barbecue swim lie around and try to do nothing.

You cannot expect the guy who drove the car into the ditch to navigate it out of the ditch. You have to put a new driver in the seat. I'm not saying the new driver is going to be any better but we need a new driver. Kerry is the only choice.

In 1950 when the Giants signed me they gave me $15 000. I bought a 1950 Mercury. I couldn't drive but I had it in the parking lot there and everybody that could drive would drive the car. So it was like a community thing.