George Tenet has been the director of central intelligence since 1997 time enough to have changed the Agency's culture. He has failed. He should go.

When I was the director of Central Intelligence in the early '90s I tried to get the Air Force to partner with us in building drones. And they didn't want to because they had no pilots.

Our intelligence community needs better coordination of operations and exchange of information and that's why we need an overall director of national intelligence and a national counterterrorism center.

You know as director of the CIA I got an awful lot of intelligence about all the horrible things that could go on across the world.

I've always felt that a person's intelligence is directly reflected by the number of conflicting points of view he can entertain simultaneously on the same topic.

There have been many different artists that have been inspirational. I suppose the question is directed to what was the reason why I went into fantasy illustration.

Grant that the true organ with which the beautiful is apprehended is the imagination and it follows that all arts are likely to affect the feelings indirectly.

It takes great skill to tell a compelling story in under 60 seconds. These five directors have mastered the format using their talent craft and imagination to provide us with some of the most innovative filmmaking out there today.

The fashions of the ages vary in this direction and that but they vary for the most part from a central road which was struck out by the imagination of Greece.

They seem much rarer now those auteur films that come out of a director's imagination and are elliptical and hermetic. All those films that got me into independent cinema when I was watching it seem thin on the ground.

There's the argument that you can relate to someone who's completely unrelatable. In the way that a director shows you his imagination on a film then I get to show you my imagination in a big dumb character.

I feel that directors at times are like the janitors on the set. I am the secretary I am the organizer I am the maid and I ask if they have eaten or rested. The best things are always out of your control. It's those moments that surpass the imagination that are thrilling.

Sometimes a character is really based on research that you do. Other times it's just based on your imagination or perhaps your conversation with the director. Or sometimes all of the above. It depends on the movie and character.

One longs for a director with a sense of imagination.

The thing about For Better or Worse is the only thing that made me an okay director for that is that I have a sense of humor and it was supposed to be funny.

It is in vain to hope to please all alike. Let a man stand with his face in what direction he will he must necessarily turn his back on one half of the world.

I hope we never get to the point that we put ourselves in Jesus' place. But when I read the New Testament basically we get three mandates: to love God to love each other and to take care of the least among us. And I think this is at least a step in the right direction.

I have more awareness of other people and I hope more sensitivity to their needs. I also find that I'm more direct and outspoken.

That's what's nice about directing a film and having it done: There's nothing more I can do about it. It's done. That's it. All I can do is let it go and hope that people are kind to it.

Even a purely moral act that has no hope of any immediate and visible political effect can gradually and indirectly over time gain in political significance.

The human body experiences a powerful gravitational pull in the direction of hope. That is why the patient's hopes are the physician's secret weapon. They are the hidden ingredients in any prescription.

The quality of light by which we scrutinize our lives has direct bearing upon the product which we live and upon the changes which we hope to bring about through those lives.

So we come out to Los Angeles. And we met with every network. We met with show runners directors writers everything. And what we had an idea for they didn't like. And what they had an idea for we didn't like. So we went home.

And that's actually the brunt of what we do is people going straight from their workplace straight from home straight into the classroom and working directly with the students. So then we're able to work with thousands and thousands more students.