When the farmer can sell directly to the consumer it is a more active process. There's more contact. The consumer can know who am I buying this from? What's their name? Do they have a face? Is the food they are selling coming out of Mexico with pesticides?

Chronic malnutrition or the lack of proper nutrition over time directly contributes to three times as many child deaths as food scarcity. Yet surprisingly you don't really hear about this hidden crisis through the morning news Twitter or headlines of major newspapers.

The disparity between a restaurant's price and food quality rises in direct proportion to the size of the pepper mill.

I've been writing a lot I've a few projects I'm trying to finance I do some acting I do some directing... Apart from that if I could get lower that a ten handicap on my golf game I'd be thrilled.

Masood Ahmed brings to the position of director of external relations extensive experience gained in a range of senior positions in international finance and development.

It's very difficult to break into motion pictures but it's oddly easier for directors today because of independent films and cable who have inherited for the most part those films of substance that the studios are reluctant to finance.

Of the primary emotions fear is the one that bears most directly on survival. Children show fear. Adults try not to maybe because it's shameful or in some circumstances dangerous. The fear response is automatic though and your body runs through its reflexes whether you want it to or not.

I fear other actors who are not prepared. And I fear directors who are afraid.

Fear and greed are potent motivators. When both of these forces push in the same direction virtually no human being can resist.

We must travel in the direction of our fear.

Why are we so full of restraint? Why do we not give in all directions? Is it fear of losing ourselves? Until we do lose ourselves there is no hope of finding ourselves.

God will never direct us to be prideful arrogant and unforgiving immoral or slothful or full of fear. We step into these things because we are insensitive to the leadership of the Holy Spirit within us.

What is needed rather than running away or controlling or suppressing or any other resistance is understanding fear that means watch it learn about it come directly into contact with it. We are to learn about fear not how to escape from it.

Some very famous directors have started in the mail room which is just getting inside the studio getting to know people getting to know the routine.

I mean he's a very famous director... they're not going to put their... and he's very tough he doesn't like interference at all so he kept them at bay.

In approaching our subject it will be best without attempting to shorten the path by referring to famous theories of the drama to start directly from the facts and to collect from them gradually an idea of Shakespearean Tragedy.

I've been very very lucky in my career in my life - from day one. When aspiring directors say 'What's your advice?' first I say 'Be born the son of a famous director. It's invaluable.'

I hear the way people talk about the children of famous people. They're not treated very well. The presumptions are usually quite awful. So I tried to establish myself with a couple of movies. After 'Juno' I thought: 'I think I've defined myself enough as my own director that I'd love to work with my father.'

My dream maybe because of my family of course was to be a painter. I chose in one moment the direction of textiles from textiles I went to fashion.

The functions of the family in a highly differentiated society are not to be interpreted as functions directly on behalf of the society but on behalf of personality.

It's a tremendous responsibility to be direct descendants of the prophet Muhammad. This family has had the burden of leadership on its shoulders for 1 400 years. I'm not going to drop the ball on my shift.

Children in a family are like flowers in a bouquet: there's always one determined to face in an opposite direction from the way the arranger desires.

All the faith and good will in the world is wasted without direction.

I spent four months in Prague in these blue rooms reacting to nothing and you basically place your faith in the hands of the director and the special effects co-coordinator and you keep your fingers crossed and hope that the creatures look really scary.