We have been working with Habitat for Humanity and we have built eighty homes 80% of which are being lived in by New Orleans' musicians. It is called the Musicians' Village and at the center is the Ellis Marsalis Center for Music.
But recently I began to feel that maybe I wouldn't be able to do what I want to do and need to do with American musicians who are imprisoned behind these bars music's got these bars and measures you know.
I used to go to Bourbon Street when I was a kid and there would be club after club after club of people who were around when the music started. I mean these are legendary maybe not so well known but legendary musicians.
We're musicians. We make music for a living. It's that simple. Nothing else matters.
The bottom line is that musicians love to make music and always will.
Musicians are there in front of you and the spectators sense their tension which is not the case when you're listening to a record. Your attention is more relaxed. The emotional aspect is more important in live music.
A painter paints his pictures on canvas. But musicians paint their pictures on silence. We provide the music and you provide the silence.
Why do musicians give so much time to charitable causes? The most humanitarian cause that we can give our time to is the creation and performance of music itself.
Musicians don't retire they stop when there's no more music in them.
The wise musicians are those who play what they can master.
I wouldn't like to be in movies. Movie people are strange. They live a different life than musicians do.
Not only did I get to play with these great international musicians but I also had the opportunity to jam with the local celebrities in Toronto people like the Walsh Brothers David Wilcox Kim Mitchell and the like. It was a great learning experience.
They taught us because they wanted to pass the knowledge on and educate young musicians. It was not because they had to teach because they failed as musicians. There is a huge difference in the reasons why someone is teaching and what they can offer and what they cannot offer.
There was the best teachers from the Czech Philharmonic highly dedicated people some of the best musicians in the world passing on the knowledge about the country about the principles and about the music.
I'm quite ignorant about fashion and I'm colourblind so it's all a tad tricky. My only knowledge of that world comes through Christopher Bailey whom I first met in 2008 when I did a campaign for Burberry that featured musicians artists actors and sportsmen.
Regardless of who originally made it popular any hit song becomes a challenge to the ingenuity and imagination of other musicians and performers.
For some reason I can't explain artist and musicians tend to look younger than our age. Being in music you need this youthful sense of discovery and wonder for what you're doing and keep your imagination open. That's a youthful way of looking at life and I think that reflects in how you age.
I try to devote my afternoons to making music in my home studio but it's a lot more fun hanging out with musicians and friends and trying subtly to influence a band than making your own stuff.
If our history can challenge the next wave of musicians to keep moving and changing to keep spiritually hungry and horny that's what it's all about.
As musicians and artists it's important we have an environment - and I guess when I say environment I really mean the industry that really nurtures these gifts. Oftentimes the machine can overlook the need to take care of the people who produce the sounds that have a lot to do with the health and well-being of society.
Musicians are probably the most uncomfortable people in themselves in the world. Happiness I think only exists when you're a child and once you go past 11 unfortunately it's gone.
The pop musicians often leave meaning in the dust and substitute it for cartoons. The deeper artists - the grunge artists in the world and the emoticon people - tend to leave all of the happiness out of life like it just doesn't exist.
It was physically difficult adjusting to wheelchair life but I remember a great relief and happiness that I was finally getting somewhere finding musicians to work with that were sympathetic.
I always seem to have a vague feeling that he is a Satan among musicians a fallen angel in the darkness who is perpetually seeking to fight his way back to happiness.
It seems to be a law of nature that no man unless he has some obvious physical deformity ever is loth to sit for his portrait.