Cut quarrels out of literature and you will have very little history or drama or fiction or epic poetry left.
The drama is complete poetry. The ode and the epic contain it only in germ it contains both of them in a state of high development and epitomizes both.
In middle school I really didn't have music but in high school I remember taking a lot of choir and drama.
I don't listen to a lot of new stuff. I just like the old stuff. It's all quite dramatic and atmospheric. You'd have an entire story in song. I never listen to like white music - I couldn't sing you a Zeppelin or Floyd song.
What I'm trying to do is find either existing properties or come up with properties or angles or stories which will create music drama. It's my obsession and most of all I would like to remain working in theatre. I think it's very much alive.
The problem for me still today is that I write purely with one dramatic structure and that is the rite of passage. I'm not really skilled in any other. Rock and roll itself can be described as music to accompany the rite of passage.
As a boy I'd always had an interest in theater. But the idea at my school was that drama and music were to round out the man. It wasn't what one did for a living. I got over that.
It is essential to do everything possible to attract young people to opera so they can see that it is not some antiquated art form but a repository of the most glorious music and drama that man has created.
Dance vaudeville drama movies - as a child I loved everything that went on in a theater.
I began to feel that the drama of the truth that is in the moment and in the past is richer and more interesting than the drama of Hollywood movies. So I began looking at documentary films.
I am so happy because I want more people to like martial arts movie not just martial arts audience. Even martial arts can be used in comedy in drama in horror movies in different kinds of movies.
Right now if you're interested in being a dramatic actor they're not making that many just regular dramas. Movies have to have some other thing going on.
I was in television drama which is a first cousin to the movies and I trust myself to make the right decisions.
I'm not sure anybody's ready to see me in a drama. And loving movies so much I've seen a lot of comics try to make that transition too fast and it can be detrimental. And I don't think I've had as much success as I need in the comedy genre to open up those opportunities.
My passion is doing movies and as long as I keep doing that I'll be happy. I want to do movies fun roles and dramatic ones. I love all of it.
There's an absolute prejudice that good movies are dramas and comedies are more dismissable. But I couldn't disagree more.
I think romance is a tool comedy is a tool and drama is a tool. I really just want to tell stories that challenge the viewer move people make you laugh perhaps push an idea about being open-minded but never settle on a genre or an opinion. I hate genre. I like movies that are original in their approach.
I think that's what distinguishes Schmidt really. In the movies now so much of what is appealing to an audience is the dramatic or has to do with science fiction and Schmidt is simply human. There's no melodrama there's no device It's just about a human being.
I was always a drama queen. I remember playing in the kitchen trying to get my mom to think I was dead and call the police. When she didn't I would cry. I was always theatrical. I don't think any of my relatives are surprised.
There's not a lot of room anymore for what I call 'made-up' drama. The drama comes from real places now - marriage takes work and focus the kid stuff takes patience and commitment. And if you don't grow as people and as a couple within all of that then you've got some real drama.
So many people prefer to live in drama because it's comfortable. It's like someone staying in a bad marriage or relationship - it's actually easier to stay because they know what to expect every day versus leaving and not knowing what to expect.
I really love idiot enlightened characters - these characters who fail to engage with the drama of their immediate circumstances they fail to be reactive and enrolled by drama as it happens around them.
If there's not drama and negativity in my life all my songs will be really wack and boring or something.
I need drama in my life to keep making music.
When I stop working I go out and start working again. Most people paint a picture or whatever they do and go home. For me it has to be continuous.