I could definitely see myself making a serious movie or a drama in the future.
I knew I could not cope with the future unless I was able to rediscover the past.
Just you never know what the next day is going to bring. That goes for football goes for off the field and I gave up a long time ago trying to predict the future and trying to deal with things I couldn't deal with.
Comedy was the key to everything. I grew up fast and controlled my future by bringing it on faster than it naturally unfolded. I cheated myself out of a childhood but then got a running headstart into adulthood that no one else could keep up with.
I never remember having a plan. All I could think about was how I was going to afford to get into college or where I was going to stay because I hated being at home. I didn't really have time to think about anything in the future. I didn't think about a career or anything. I went to uni got a couple of jobs so I sort of funded it myself.
For 50 years nuclear power stations have produced three products which only a lunatic could want: bomb-explosive plutonium lethal radioactive waste and electricity so dear it has to be heavily subsidised. They leave to future generations the task and most of the cost of making safe sites that have been polluted half-way to eternity.
I'm sure that there are reasonable people that had some reasonable projections about the future of New Orleans but none of those could include not trying to rebuild the city and make it better than it was before.
My parents taught me to never give up and to always believe that my future could be whatever I dreamt it to be.
People always ask me 'What is it that you regret?' And I say 'nothing because I could not buy what I've learned.' And I apply those things to my life I learn. And hopefully hopefully it helps me to be a better human in the future and make better choices.
I was a peripheral visionary. I could see the future but only way off to the side.
All successful people men and women are big dreamers. They imagine what their future could be ideal in every respect and then they work every day toward their distant vision that goal or purpose.
I've actually tried to roast somebody that I don't like and it doesn't go well. Either they're a bad sport or I'm not as funny as I could be.
And of course Marc Cherry heightens it and makes it hilarious. But there's so many universal themes in the show and he made it so funny. We knew he was onto something if he could keep it up and thankfully he did.
You know if I started worrying about what the critics think I'd never make another comedy. You couldn't pick a less funny group than critics - you couldn't find a more bitter group of people!
Comedy is so subjective. You could be in a room with 400 people laughing at a joke and you could just not think it's funny. You're just sitting there like 'Am I in the twilight zone? Why is everyone laughing?' It's such a personal thing. People have such a personal visceral response to comedy.
I love Mikhail Bulgakov. He is very original and takes the story to unexpected places. I didn't realise political writing could be so funny.
I love weird or funny or beautiful sentences Joy Williams could write a microwave-oven manual and I'm sure I'd love it because the sentences would be tuned up like music.
If you could cross a lion and a monkey that's what I'd be because monkeys are funny and lions are strong.
I just couldn't go back to Suddenly Susan after David Strickland's suicide. I didn't see how we could make the show light and funny any more.
It's funny because when you're younger you're in a rush to be 18 or 21 or whatever. But then you hit 30. And now the days go by like hours. You think 40 man this could be the halfway point. It could be the three-quarters point you know? Who knows?
The fact that the Kardashians could be more popular than a show like 'Mad Men' is disgusting. It's a super disgusting part of our culture but I still find it funny to make a joke about it.
As a five-year-old in Berlin in 1965 I didn't know that funny women existed. It wasn't until I got back to England that I realised women could be funny.
As soon as I realized you could be funny as a job that was the job I wanted.
When I was doing ensemble theater and comedy work I felt I had some talents. But when I started doing my shows in Berkeley and found that I could be funny on my own I was shocked.
When I look at great works of art or listen to inspired music I sense intimate portraits of the specific times in which they were created.