I've always had an active imagination.
Sooner or later you must move down an unknown road that leads beyond the range of the imagination and the only certainty is that the trip has to be made.
Poetry is that art which selects and arranges the symbols of thought in such a manner as to excite the imagination the most powerfully and delightfully.
There is no connection between the political ideas of our educated class and the deep places of the imagination.
I'm a better coach now than when I joined Celtic. The longer you stay in any job the better you become. If you lose your drive your enthusiasm your imagination that experience is no good.
Shakespeare fascinated me. He hardly ever left the country. His imagination was worldwide though reading.
My true function within a society which embraces all of us is to continue an age-old tradition. This tradition is to create images from the depths of the imagination and to give them form whether visual intellectual or musical.
In my imagination yes I remember when I was six years old I was conducting all this concert in my house. But now it's real.
I've studied a technique called the Sanford Miesner technique that teaches you how to focus. It's mainly about daydreaming. And the technique's really about imaginary circumstances. Using your imagination to sort of daydream about stuff. It makes you emotional in a scene.
The artist must bow to the monster of his own imagination.
Imagination needs to be fed.
The costume that I wear on the show is a little snug and doesn't leave a whole lot to the imagination. I don't have a problem with it because of the way this character's been written.
They are imaginary characters. But perhaps not solely the products of my imagination since there are some aspects of the characters that relate to my own experience of a wide variety of people.
You'd have to have one hell of an imagination to completely make up a story but historians are very anal about what they think should be portrayed on screen. Thankfully they don't make movies we do.
I mean the most important thing to me is imagination.
The thing about imagination is that by the very act of putting it down there must be some truth in one's own imagination.
Then there was Clark Ashton Smith who wrote for Weird Tales and who had a wild imagination. He wasn't a very talented writer but his imagination was wonderful.
On 'Into The Wild' I spent months risking my life and on 'Speed Racer' I spent 60 days acting in front of a green screen. No danger to my physical self but I sure had to use my imagination.
For some reason I can't explain artist and musicians tend to look younger than our age. Being in music you need this youthful sense of discovery and wonder for what you're doing and keep your imagination open. That's a youthful way of looking at life and I think that reflects in how you age.
A place makes a deep impression on you when you're young. It lives with you. It's like your childhood. It fertilises the imagination.
My life has been a gift up to this point and I've been blessed beyond my wildest imagination. And wherever this ride takes me is where I'm going.
Imagination which comes into play in falling in love is different from any other. Certainly in my case and I've fallen in love all my life one imagines the person to be as you want them to be. They frequently turn out to be someone different for better or worse.
I have deliberately left Sylvester and Julia's appearances to the reader's imagination.
It is not enough to know your craft - you have to have feeling. Science is all very well but for us imagination is worth far more.
I exhort you also to take part in the great combat which is the combat of life and greater than every other earthly conflict.