My relationship with the Philharmonia Orchestra brought me many times to London and I will always reflect positively on that early period of development with them - their patience their warmth their dedication.

The number of stressors has multiplied exponentially: traffic money success work/life balance the economy the environment parenting family conflict relationships disease. As the nature of human life has become far more complicated our ancient stress response hasn't been able to keep up.

Relationships are complicated no matter what style of parenting you choose.

I would like to do another piece of fiction dealing with a number of issues: Lesbian parenting the 1960's and interracial relationships in the Lesbian and Gay community.

You have to support your children to have a healthy relationship.

There is an urgent need for a radical revision of our current concepts of the nature of consciousness and its relationship to matter and the brain.

Ninety percent of the students take the 'preferred lender.' Why? Because that's the nature of the relationship. You trust the school. The school is in a position of authority.

Reality must take precedence over public relations for nature cannot be fooled.

My illness has taught me something about the nature of humanity love brotherhood and relationships that I never understood and probably never would have. So from that standpoint there is some truth and good in everything.

For a successful technology reality must take precedence over public relations for Nature cannot be fooled.

Color is a plastic means of creating intervals... color harmonics produced by special relationships or tensions. We differentiate now between formal tensions and color tensions just as we differentiate in music between counterpoint and harmony.

Pop stardom is not very compelling. I'm much more interested in a relationship between performer and audience that is of equals. I came up through folk music and there's no pomp and circumstance to the performance. There's no like 'I'll be the rock star you be the adulating fan.'

Bands are about these little relationships that make everything tick and when you create new music you're testing those relationships.

Men are wary of me because they know by listening to my music that a relationship with me will be quite deep.

I don't care what people say about my relationship I don't care what they say about my boobs. People are buying my songs I have a sold-out tour. I'm getting incredible feedback from my music.

I kind of came to the conclusion after I did finally get married that love and relationships are just a series of horrific losses with hopefully one win.

Getting over someone is a grieving process. You mourn the loss of the relationship and that's only expedited by 'Out of sight out of mind.' But when you walk outside and see them on a billboard or on TV or on the cover of a magazine it reopens the wound. It's a high-class problem but it's real.

Any time you end a relationship and everyone has ended plenty in their life it's always a tough thing and hard to get over.

I'm pretty horrible at relationships and haven't been in many long-term ones. Leaving and moving on - returning to a familiar sense of self-reliance and autonomy - is what I know that feeling is as comfortable and comforting as it might be for a different kind of person to stay.

I like movies about longing and desperation and dark and light things stories about people struggling to raise children and to have relationships and be intimate with each other.

I don't think people have been able to deal with the fact that African American filmmakers can make movies about life and relationships.

For me relationships are the real action movies. Bombs are exploding every day and the kitchen is Ground Zero.

I mean the trouble with some of the kind of relationship movies I've done is there's only so many ways you can shoot a conversation. I was really tired of talking heads.

With the CGI suddenly there's a thousand enemies instead of six - the army goes off into the horizon. You don't need that. The audience loses its relationship with the threat on the screen. That's something that's consistently happening and it makes these movies like video games and that's a soulless enterprise. It's all kinetics without emotion.