Working with Chaplin was very amusing and strange. His films are so funny but working with him I found him to be a very serious man. Whereas the films of Hitchcock are macabre he could be a very funny man to work with always telling jokes and holding court. Of course when I worked with Charlie he was getting older.
And at the time it is funny how you can look at something and say for example with my shoulder injury when it first happened I said this is the worst thing that could happen to me. Why me why now? Now I look back and say it was probably the best thing that happened to me.
I wish I could be as thin as Jessica Simpson. I think she looks gorgeous! I have had Jessica on my show several times and I can tell you that girl is genuine and funny with a great self-deprecating sense of humor.
When I was a kid I didn't feel like I fit in because - this is really silly and I probably shouldn't say it but I didn't think anything was funny. So I used to go home and literally cry to my mom and my step-dad at the time and I didn't think anything was funny. I couldn't laugh.
It's harder to be funny if you're handsome than if you're very normal-looking. It's just more relatable. You're the underdog. I mean it's funny to see people struggle and you don't buy that Brad Pitt is struggling you know that guy could be the most skill-less guy in the world but if you look like that you will be fine for the rest of your life.
The surprising thing is that I was not funny in high school. I was always jealous of the funny kids because they always got the girls. I couldn't tell a joke to save my life.
I got to dress up in funny clothes and run around New Zealand with a bow and arrow for 18 months how bad could that be?
I turned down 'Some Like It Hot.' See how smart I am? I felt I couldn't bring anything funny to it. The outfit was funny. I don't need to compete with the wardrobe.
It used to be that you had to make female TV characters perfect so no one would be offended by your 'portrayal' of women. Even when I started out on 'The Office' eight years ago we could write our male characters funny and flawed but not the women. And now thankfully it's completely different.
At the end of the day it's got to be a good movie it's got to be a funny movie and it's got to make people think 'Hey I couldn't have spent my time any better.'
I don't really get shaken very much. People could heckle me a spotlight could go out I could forget a lyric... I'm not operating on somebody's brain you know what I mean? So I just think it's all funny.
I'm a pretty funny guy and I would love to do a comedy with a bunch of funny guys - movie-star guys where they could help me through it.
I was so afraid to even read a paper in front of my classmates. It is very funny because at that point my teachers would never have believed that I could speak in front of an audience of over 2 000 people.
I could party in a cardboard box with people who are funny and don't care. For me it's really about who I surround myself with so I just try to always be with hilarious people.
If I studied all my life I couldn't think up half the number of funny things passed in one session of congress.
I was asked to act when I couldn't act. I was asked to sing 'Funny Face' when I couldn't sing and dance with Fred Astaire when I couldn't dance - and do all kinds of things I wasn't prepared for. Then I tried like mad to cope with it.
If love is the answer could you please rephrase the question?
Ray Bradbury is for many reasons the most influential writer in my life. Throughout our long friendship Ray supplied not only his terrific stories but a grand model of what a writer could be should be and yet rarely is: brilliant and charming and accessible willing to tolerate and to teach happy to inspire but also to be inspired.
And though my Lord hath lost his estate and been banished out of his country yet neither despised poverty nor pinching necessity could make him break the bonds of friendship or weaken his loyal duty.
When I was growing up my mother was always a friend to my siblings and me (in addition to being all the other things a mom is) and I was always grateful for that because I knew she was someone I could talk to and joke with and argue with and that nothing would ever harm that friendship.
I didn't like England. I couldn't take the look of the place or the style of friendship. I need more intimacy from people than is considered okay there and I felt that my personality and my enthusiasms weren't understood. I had to put a big lid on myself.
My parents and librarians along the way taught me about the space between words about the margins where so many juicy moments of life and spirit and friendship could be found. In a library you could find miracles and truth and you might find something that would make you laugh so hard that you get shushed in the friendliest way.
I grew up under Communism so we could only learn Russian and then when Communism fell in 1989 we could learn a few more things and have the freedom to travel and the freedom of speech - and the freedom of dreaming really.
I think that we could be more careful about what we're saying to young women in terms of their expectations. It's unrealistic to expect people to always be in designer clothes. Girls growing up deserve more freedom in how they look and how they feel about how they look.