I received from my experience in Japan an incredible sense of respect for the art of creating not just the creative product. We're all about the product. To me the process was also an incredibly important aspect of the total form.

While I will always have the utmost respect for the superhuman out-of-bounds freestyle and extreme stunts that seem to continually progress beyond our imaginable limits my highest appreciation goes out to the simple rider who's out there just for the experience.

I'm looking at working with people I get on with that respect me that don't just see me as a piece of ass. Which I have experienced as well. I've nearly walked off very big films before and I would because I don't want that in my life. I want to enjoy the work I do.

I have the most profound respect for the Department of Justice and the FTC. We in Europe are a younger and I would say junior institution to the historical antitrust experience of the US.

I think Europeans have enough tradition and respect for the experience and body of work of an actress that they don't sell out to the new ones.

They become the keepers of the mystery. They place themselves between the communicants of the religion and the immediate experience. And then they dictate the terms on which you can have contact with this wonderful mystery. We don't dictate those terms.

When theology erodes and organization crumbles when the institutional framework of religion begins to break up the search for a direct experience which people can feel to be religious facilitates the rise of cults.

Growing up in Wales was a pretty Draconian experience with religion.

And these two elements are at odds with one another because Freud is utterly adversary to almost all the ways of structuring the human experience found in Western religions. No Western religion can countenance Freud's view of man.

I feel like in a lot of shows where the woman is in charge the woman is this ball buster and the guy is sort of weak and spineless. And that's never been my experience in a relationship. I think it's much more interesting that the guy is the boss. And there are stakes.

I'm open-minded. I don't consider myself gay or hetero I just am. I've had experiences all over the planet but it always comes down to just me but I think at this point if I had an ongoing relationship I believe it would be with a man.

It takes a lot of experience of life to see why some relationships last and others do not. But we do not have to wait for a crisis to get an idea of the future of a particular relationship. Our behavior in little every incidents tells us a great deal.

My work is about life as you and I experience it. You're either lucky or you're not lucky either your relationship works or it doesn't.

Certainly the experiences of Seth and his relationship to his parents and his point of view of the world are very similar to my own and very much based on my experiences at the University of Southern California.

Having had that experience... I think what modern culture wants to see is the relationship with the woman. I don't think you can tell a story on film nowadays where the woman simply is there for the man when he decides to settle down.

Our relationship to reality and to our experience is all based upon the ideas in our mind that we're always trying to live up to.

The thing that stood out above and beyond all the experiences was this relationship with the nine-month-old baby. On weekends I'd be thinking about going back to set on Monday just to see the baby.

I appreciate the 'Surreal Life.' I had a really positive experience on that show and with those people. I found some love in my heart for religion again and had the support of a new family of friends. I wouldn't have had the pleasure of meeting those people if we were not all placed in that fishbowl.

We are a consumer company and our success is directly linked to our users trusting us. Therefore we have the same incentive as the user: they want to see relevant advertising so their experience of Google is positive and we want to deliver it.

I first came to think about media and politics in the late 1960s having observed some distortions up close but since then I wouldn't say that my personal experience has remained an important motive for my writing about media.

I'm not an old experienced hand at politics. But I am now seasoned enough to have learned that the hardest thing about any political campaign is how to win without proving that you are unworthy of winning.

It is our experience that political leaders do not always mean the opposite of what they say.

Poetry asks people to have values form opinions care about some other part of experience besides making money and being successful on the job.

Poetry brings all possible experience to the same degree: a degree in the consciousness beyond which the consciousness itself cannot go.