I really care about this stuff I care about movies and you just have to be strong and don't be stupid freedom of choice is a big responsibility and I'm lucky enough not to have to just take any movie to pay the rent so there's no need to be greedy.

You start making movies and people start seeing when you go to places and all of a sudden you are getting clothes for free and all of a sudden you are getting food for free.

I am a filmmaker. That is all I've ever been. You know Martin Scorsese makes films about the mob. And I make movies about food.

I only make movies to finance my fishing'.

I think that my vampires in general were influenced by my being allowed to watch the Hammer vampire films. Vampire Circus also shown as Circus of Fear was one of those movies.

Studios because they are investing a great deal of money in movies they want a guarantee that when they hire somebody that person can deliver for them. Everything is fear based so they pigeonhole people. But I've written everything from Westerns to sci-fi to dramedy I've done it all.

You know Stephen says in the movies no one ever goes to the bathroom. They shave they brush their teeth. He goes right at this sort of funny taboo we have about the bathroom and he turned it into this nightmare you know your worst fear of what's in there.

Right now I'm the most famous silent movie actress in the world and I want to keep that for me. So I hope there's not going to be any other silent movies.

I don't want to be famous famous. I'm happy on the second tier where I have autonomy on a professional level but I can still go out to the movies without being recognized.

I'm world famous everywhere I go there are people who love me because of I've been able to bring them some joy from the movies I've made.

Luckily I think I never really wanted to be famous I just wanted to make movies.

I hear the way people talk about the children of famous people. They're not treated very well. The presumptions are usually quite awful. So I tried to establish myself with a couple of movies. After 'Juno' I thought: 'I think I've defined myself enough as my own director that I'd love to work with my father.'

I have a great job writing for 'The Office ' but really all television writers do is dream of one day writing movies. I'll put it this way: At the Oscars the most famous person in the room is like Angelina Jolie. At the Emmys the huge exciting celebrity is Bethenny Frankel. You get what I mean.

I like being in kids' movies and I like being in family movies.

I remember saying goodbye to my father the night he left to join the Navy. He didn't have to. He was older than other servicemen and had a family to support but he wanted to be a part of the fight against fascism not just make movies about it. I admired this about him.

I've always wanted to get into acting ever since I was younger. I'd put on shows for my family and run around play dress-up all the time. I think I was 4 when I told them I wanted to do movies.

My family and our neighbors and friends thought of Africa and its Africans as extensions of the stereotyped characters that we saw in movies and on television in films such as 'Tarzan' and in programs such as 'Ramar of the Jungle' and 'Sheena Queen of the Jungle.'

Thinking back to those earlier days I felt I was weak when I wasn't making movies and then when I was I thought I was weak as a family member.

There comes a point in your moviegoing life where you look at the screen and then you look at the world and you ask 'What is going on?' You want the movies to show you the chaos and mess and risk and failure that are normal for a lot of us. Generally the movies hide all of that.

I mean I love L.A. - I love living here. But I wish that we could make things without the need to hit a home run every single time. It's a unique thing to Hollywood that if you don't do that every time then you're considered a failure. But it's like 'Well are you making movies to be successful? Or are you making movies to learn something?'

I love music and after my first experience with movies I can't wait to do more.

If you're working on a movie you want it to be projected on the largest tapestry possible and the sound to be perfect and for that kind of communal experience of the movies to take place for it.

In some movies you feel like you're a very small part of a huge machine. Whereas in the theater you can have a very small part but you can still feel the weight and the gravity of it. Given the nature of theater it's a more concentrated and quiet experience.

But in the back of my mind I've always looked to the biggest-scale Hollywood movies. Because to me the most satisfying experience is of watching a movie if it's done really well. And so that aspiration is always it for me if I have the opportunity to do it.