The alternative scene for a couple years now has been taken seriously and that's a cool thing. I don't think it's exploded or anything but I think it's pretty cool that it still exists it's still affecting people.
The nude scenes were a little eerie and I felt a bit odd. Yeah when the camera scanned up my body I said to my friend 'Now that's a close-up.' I mean you see every inch of my body. But I'm okay with it and so it was cool.
I like to give dimension to shots inside action scenes. It's demanding because you have to rehearse a lot of things happening at the same time and frame all those things in a shot. But I feel like when you accomplish that then you've got a cool action scene.
New York had a big influence on me growing up and I was really part of the club scene - the Mudd Club and Studio 54. When you're living in New York you are just bombarded with style trying to figure out how to be cool and how to feel relaxed at the same time.
There's no point in swanning through and being cool as a breeze in every scene. It's not really that interesting. Even if you're a superhero.
And looking at today's music scene I think it's cool that there are a lot of consumers and fans not limited by what radio and the record companies tell them to buy.
Remember the first time you went to a show and saw your favorite band. You wore their shirt and sang every word. You didn't know anything about scene politics haircuts or what was cool. All you knew was that this music made you feel different from anyone you shared a locker with. Someone finally understood you. This is what music is about.
Sci-fi films are the epic films of the day because we can no longer put 10 000 extras in the scene - but we can draw thousands of aliens with computers.
I think sex is very interesting for most people but I'm interested in sex as a way of communication I'm not that interested in the fantasy version of a sex scene.
It's not the destination that matters. It's the change of scene.
We are not victims of aging sickness and death. These are part of scenery not the seer who is immune to any form of change. This seer is the spirit the expression of eternal being.
Very often a change of self is needed more than a change of scene.
Most women's pictures are as boring and as formulaic as men's pictures. In place of a car chase or a battle scene what you get is an extreme closeup of a woman breaking down.
In the car and in front of the camera I tend to be very calm but behind the scenes I can get fired up and passionate I just don't see the need to shout my mouth off in public.
L.A. has a fantastic car scene and because the climate is so gentle cars can last forever.
I do not want to admit to the world that I can be a bad person. It is just that I don't want anyone to have false expectations. Moviemaking is a harsh volatile business and unless you can be ruthless too there's a good chance that you are going to disappear off the scene pretty quickly.
You know I think the film business is its own worst enemy because it sells movies on DVD footage and 'behind the scenes ' and now it's a real struggle trying to keep storylines and plotlines a secret.
Vulgar and obscene the papers run rumors daily about people in show business tales of wicked ways and witless affairs.
I've run the Boston Marathon 6 times before. I think the best aspects of the marathon are the beautiful changes of the scenery along the route and the warmth of the people's support. I feel happier every time I enter this marathon.
I've always felt toward the slightest scene even if all I had to do in a scene was just to come in and say 'Hi ' that the people ought to get their money's worth and that this is an obligation of mine to give them the best you can get from me.
So we just kind of created our own thing and that's part of the beauty of Athens: is that it's so off the map and there's no way you could ever be the East Village or an L.A. scene or a San Francisco scene that it just became its own thing.
I saw 'Taxi Driver ' and 'Taxi Driver' kind of saved my life. The scene where Robert De Niro is looking at himself in the mirror saying 'You talkin' to me? You talkin' to me? Who the hell else are you talkin' to?' That's the scene that changed my life by changing my attitude about acting.
It is the function of art to renew our perception. What we are familiar with we cease to see. The writer shakes up the familiar scene and as if by magic we see a new meaning in it.
I paint mostly from real life. It has to start with that. Real people real street scenes behind the curtain scenes live models paintings photographs staged setups architecture grids graphic design. Whatever it takes to make it work.
People don't understand that it was maybe my biggest pleasure to drive an F1 car when it's wet.