It's important not to ditch your mates when you're in a relationship. Lots of girls do it but you need to remember they will always be there for you.

I've never really had a relationship with Hollywood. I've never had a desire to work there.

If there's no relationship with a father who's absent nobody talks about it.

What I do believe is that there is always a relationship between writing and reading a constant interplay between the writer on the one hand and the reader on the other.

Then there is the further question of what is the relationship of thinking to reality. As careful attention shows thought itself is in an actual process of movement.

There is no relationship between the gestures and what an orchestra will do.

The relationship between the public and the artist is complex and difficult to explain. There is a fine line between using this critical energy creatively and pandering to it.

You know it's possible for two humans to be in a relationship without there needing to be some public reason for that relationship.

There is no substitute for the comfort supplied by the utterly taken-for-granted relationship.

I usually write for the individual reader -though I would like to have many such readers. There are some poets who write for people assembled in big rooms so they can live through something collectively. I prefer my reader to take my poem and have a one-on-one relationship with it.

I feel there's a power in theatre but it's an indirect power. It's like the relationship of the sleeper to the unconscious. You discover things you can't afford to countenance in waking life. You can forget them remember them a day later or not have any idea what they are about.

There's such an extreme feeling to be in love especially in quite an emotionally destructive relationship where you're both kind of really bad for each other but you love each other so much. Those extreme emotions I think can only be described with extreme imagery.

With public figures involved in a relationship it seems that there is a machine behind their love so oftentimes.

I'm always open to a relationship but I'm not putting those feelers out there now.

So I just had to step up how I was doing it and the moment that I stepped up and the moment I focused all my energy on that is when things started to happen. So there's a direct relationship between my inspiration and my output.

But I think there's something wonderful and extraordinary about climbing on your own and just that kind of relationship to the environment. I'm very addicted to the mountains. You know so I do like that solitude.

There's an entry point to any relationship.

It's a very difficult thing losing a parent but I think there's an added complication for me because he was so well-loved and he had this very open charm that made people feel they had a personal relationship with him.

I have a very long relationship with America. My mother grew up there and I felt to some extent that I partly belong there. I was schooled there briefly for about a year.

There's a lot about the character. It doesn't always happen but there are some characters you really create a relationship with almost as if they were your friend. And you never get into their heads again or think like them.

There was no relationship between a wedding dress and fashion. There was no good taste either. I realized that I could make an impression in terms of changing and readdressing the whole industry of bridal.

Just about every children's book in my local bookstore has an animal for its hero. But then only a few feet away in the cookbook section just about every cookbook includes recipes for cooking animals. Is there a more illuminating illustration of our paradoxical relationship with the nonhuman world?

There was always a love-hate relationship with New York in the rest of the country but I made them feel more love than hate.

There's the theory that nudity doesn't really make something sexy the characters and their relationship make it sexy.