To me living in the present means being aware of your conscious choice to focus on the past present or future - it is not necessarily having to focus on the present.
Girls are the future mothers of our society and it is important that we focus on their well-being.
When did the future switch from being a promise to a threat?
The American people I talk to don't spend every moment thinking 'How can I tax my neighbor more than they're being taxed?' They say 'How can I get a good job? How can my kids get good jobs? How can seniors have a confidence in their future when they know that Social Security Medicare and Medicaid are bankrupt?'
We are the only beings on the planet who lead such rich internal lives that it's not the events that matter most to us but rather it's how we interpret those events that will determine how we think about ourselves and how we will act in the future.
We've demonstrated a strong track record of being very disciplined with the use of our cash. We don't let it burn a hole in our pocket we don't allow it to motivate us to do stupid acquisitions. And so I think that we'd like to continue to keep our powder dry because we do feel that there are one or more strategic opportunities in the future.
Our human compassion binds us the one to the other - not in pity or patronizingly but as human beings who have learnt how to turn our common suffering into hope for the future.
It is funny because the guy who is my boss now Howard Stern has a similarity there. He got big being a regular guy. He wasn't the greatest looking guy in the world.
It's funny though because when I first started going to races after we met I was extremely nervous. It's like being backstage and hoping you don't trip over something or break an amp or accidentally speak into a live microphone so I was really hesitant.
My parents are both very funny but they're also relatively soft-spoken normal human beings while I'm just a lunatic. I don't know where this loud ballsy hammy ridiculousness came from. I'm just glad I followed my goals and my parents did too. It's not like we even had a plan when I dragged my mom to Los Angeles.
I got the wake-up call that no one is policing our oceans. I wondered how can I do anything? What really can I do to make things better? There are some perks to being a celebrity. My job is to be funny once in a while but it's my responsibility to make good use of it.
I mean I talk about being Jewish a lot. It's funny because I do think of myself as Jewish ethnically but I'm not religious at all. I have no religion.
I like the hot-cold the sugar-salt being able to play over-the-top and dramatic things - in the same film. Just as in my life I can be very funny and at other times almost extinguished.
And regardless of the fact that in this country certainly in the arts we treat comedy as a second-class citizen I've never thought of it that way. I've always thought it to be important. The last time I looked the Greeks were holding up two masks. I've always thought of it not only as having equal value but as the craft of it being funny.
When I turned about 12 or 13 I realised that being funny wasn't about remembering jokes. It was about creating them.
Billy is a funny cheeky lovely boy and I love being with him. Parenthood is terrifying though. I can barely walk past a building without panicking that it's going to collapse on his head.
And I think that being able to make people laugh and write a book that's funny makes the information go down a lot easier and it makes it a lot more fun to read easier to understand and often stronger. So there's all kinds of advantages to it.
Sometimes I am so dry that people don't know I'm kidding and think I'm being serious. I enjoy this because their reactions are often funny.
I have an older sister named Haley and she wanted to be an actress. So I wanted to be an actress. It's really funny the way that some people don't give kids enough credit for like really being driven and really wanting to do things so badly.
Being funny with a funny voice is more my comfort zone a broader character that I try to humanize a kind of silly or wacky persona that I try to fill in.
The funny thing is that I write and I act a lot about being Jewish but I don't really think about it as a regular person.
It's interesting - I always thought when I was doing more melodramatic stuff like 'Everwood' that the directors were constantly reeling me in and stopping me from being funny.
The American audience has really opened up to women being A.) funny and B.) kinda crude. 'Bridesmaids' is R-rated and I think it was a major coup for women to have an R-rated comedy that did really well. Same as 'Bad Teacher.'
I would call it a comedy variety show. We have some people just doing straight standup. We usually try to have one musical act of sort. So its just people being funny in different ways not just sketch not just standup not just characters all of those things.
To me the print business model is so simple where readers pay a dollar for all the content within and that supports the enterprise.