I do love science fiction but it's not really a genre unto itself it always seems to merge with another genre. With the few movies I've done I've ended up playing with genre in some way or another so any genre that's made to mix with others is like candy to me. It allows you to use big mythic situations to talk about ordinary things.
They've also asked me now to start on another series that we're gonna do after this Frontier Earth. But it's not science fiction it's more in the Mystery and Crime division and that's another area I'm very interested in.
When I was a kid I loved 'The Curse of Frankenstein ' 'The Creeping Unknown ' 'X: The Unknown.' I love 'Forbidden Planet ' 'The Thing from Another World.' They were science fiction/horror movies generally.
But man has still another powerful resource: natural science with its strictly objective methods.
One of the reasons I did this because I wasn't really looking for another science fiction film was that my daughter can see it. She's 9 and it's really a good film for all ages.
The day Dick Cheney is going to run for president I'll kill myself. All we need is another liar... I think he'd like to run but it would be a sad day for the country if he does.
I so desperately hate to end these movies that the first thing I do when I'm done is write another one. Then I don't feel sad about having to leave and everybody going away.
I am co-writing a screenplay now and I'm working on the rights to another story I want to do. So I plan to produce and direct. So for me I don't really feel that I am vulnerable to that sad baggage that comes with the business of filmmaking.
Well in the end the world can crank itself up to sanctions as it has with Zimbabwe another sad case.
I find it amusing on one level poignant on another when people try to get recognition from an outside source. It's sad.
Nobody understands another's sorrow and nobody another's joy.
Can I see another's woe and not be in sorrow too? Can I see another's grief and not seek for kind relief?
With While You Were Sleeping it was so much fun and such a Cinderella story that I didn't want to do another romantic comedy. I wanted to do the opposite.
I love romantic comedy but I think you have to have another idea that you're chasing along with romantic comedy.
Something like 'Without a Paddle' does really well at the box office and I'm like 'Oh here we go.' In 'Without a Paddle' I'm the romantic lead - great! A comedy and that's what America wants. Then it did nothing for me and I went into kind-of a work abyss. I just didn't get another shot.
As far as the leading man/romantic lead I'll tell you what I really enjoyed my experience more than I thought or imagined I would on 'Catch and Release.' God bless them if they want to give me another shot at that. I would love to have that as something I can go to on occasion.
I'm in the mood for another Moonstruck experience for another romantic comedy.
Even actresses that you really admire like Reese Witherspoon you think 'Another romantic comedy?' You see her in something like 'Walk the Line' and think 'God you're so great!' And then you think 'Why is she doing these stupid romantic comedies?' But of course it's for money and status.
I have women coming up to me and saying: 'I love your character! She's so empowered. She takes control she gets what she wants.' That's another side of her. And I respect that in Joan. She says and does things that I would never allow myself to do.
Another important aspect of our home was respect for ideas.
Second there are two problems with respect to mobile homes in particular. One is we obviously don't want to put them in a flood plain because if there's another flood you're going to lose the mobile home.
And in this respect the Israeli-Palestinian conflict has been a tragedy a clash between one very powerful very convincing very painful claim over this land and another no less powerful no less convincing claim.
My goal is to get another 30 years out of this business. So I need to figure out the fuel to do that. And so far I think it's respect and quality and company not celebrity or box office or stardom. It's not a sprinter's approach. It's more like a long-distance thing. You can stick around a lot longer if you kind of slow-play it.
I have a feeling that being in love sometimes means the projection of your desires onto another person. The important thing is that you like the other person respect the other person and want to raise children with the other person.
It is a useless life that is not consecrated to a great ideal. It is like a stone wasted on the field without becoming a part of any edifice.