The fact that the adult American Negro female emerges a formidable character is often met with amazement distaste and even belligerance. It is seldom accepted as an inevitable outcome of the struggle won by survivors and deserves respect if not enthusiastic acceptance.

I look for these qualities and characteristics in people. Honesty is number one respect and absolutely the third would have to be loyalty.

I wanted to show how a man of sensitive and noble character born for religion comes to throw off the orthodoxies of his day and moment and to go out into the wilderness where all is experiment and spiritual life begins again.

The only difference is that religion is much better organised and has been around much longer but it's the same story with different characters and different costumes.

True character arises from a deeper well than religion.

One strength of the communist system of the East is that it has some of the character of a religion and inspires the emotions of a religion.

I would stay on but 'General Hospital' honestly doesn't seem to want that relationship with this character at the moment. They want little short doses during sweeps periods.

I am looking for a character that connects to me on some level. It has to be about something it has to have depth to it and it has to be about something. The story of the character and their relationship with the people and places around them appeal to me and are what I look for.

One of the beauties of 'The Girl with the Dragon Tattoo' is the very delicate and strange relationship between the two main characters.

I think there are a lot more relationship scenes in my movies that people tend to overlook. A lot of scenes really feel real and are about the characters.

I still like the relationship part of any story. You don't want your character to figure everything out and then at the end of the day go home and eat soup from a can by herself.

I especially object to having my character assassinated by reference to events from my past which bear absolutely no relationship to the question of who the anthrax killer is.

And I have the support of the writers: I have a great relationship with the creative team and they have a good hold of my character and my personality and they come up with some great stuff and I'm forever trying to change it up keep it fresh.

The only person who had any control was Jonathan Harris. His character was so flamboyant that he was able to make things happen. My character was fairly one-dimensional so I had my relationship with Dr. Smith and with the family.

Whatever your relationship is to your sacred tradition in the West you have some relationship to the Bible if only through the names of the characters.

It's grown into a personal relationship yeah. I'm crazy about Jerry. I think he's a unique character.

My character Lena is somebody who responds to people in a very simple way. I didn't have to take myself off to a darkened room to concentrate I just had to try and be open. It's an interesting subtle relationship.

Playing a character who's dealing not only with a superpower but having a normal relationship is easy to associate with because I feel that everyone has been through it.

It's nice to play a character that has a soulful dependent close relationship. It must mean my character is interesting in some way.

One of the things I really love about TV is this symbiotic relationship you can get between the writers and the actors and the characters start to come to life because you start to collaborate.

The relationship between the government of the United States and social and indigenous movements has always been difficult. Not just in Bolivia but worldwide. We need to have bilateral relations characterized by mutual respect.

Over the years I've been trying to build a relationship with an audience. I've tried to maintain as much of a low profile as I could so that those characters would emerge and their relationship with audiences would be protected.

The relationship between reader and characters is very difficult. It is even more peculiar than the relationship between the writer and his characters.

It's a luxury to be able to tell a long form story. I love novels and I love to have a long relationship with characters.