I'm kind of like the goofy number-seven guy in a lot of movies.

I love the old Fred Astaire and Gene Kelly movies they're so beautiful to look at. It's such a shame we don't make them anymore. Although I don't know how you could make tap dancing current and topical.

It's hard to incorporate dance into movies I think.

It didn't matter that Charlie Chaplin may not have been a great director or a great anything else. He made great movies.

When I'm shooting a movie I'm always in an invisible theater seat. I respect the fact that people have worked hard all week and want to go to the movies on the weekend and be entertained.

I've directed seven movies and know a thing or two about dealing with unexpected crises.

At the time I came along Hollywood's idea of teen movies meant there had to be a lot of nudity usually involving boys in pursuit of sex and pretty gross overall. Either that or a horror movie. And the last thing Hollywood wanted in their teen movies was teenagers!

Do you know what a blessing it is to make movies that make people happy?

That's the way this business works: if your movies do well at the box office you will be offered more movies. It doesn't matter if you're a nice guy or you're a prick. If your movies do well there's a job waiting for you in Hollywood. It's not any more complicated than that.

If you go to Sundance the experience that I've had there as a viewer is... there's like a hundred movies there and you've got to figure out what movies are sold out what can you see. Sometimes you go to see movies that you don't know anything about because it just works into your schedule.

If your movies don't perform they just stop calling you.

On movies you have a lot of stylists that get things too pretty. Everything gets steamed and ironed. It's just not the way we really behave.

Success is not something I've wrapped my brain around. If people go to those movies then yes that's true big-time success. If not it's much ado about nothing.

I want people to think about movies and how we watch them. Let them know it's okay to question the structure or how we're sometimes duped into a false sense of normalcy. Most of all I want people to question the old standard practices of 'This is how the structure of something should work ' or 'This is how a character must behave.'

I never wanted to do the same kind of movies over and over anyway so my theory on it all is I'm just gonna try and dodge the label and keep doing what I am doing.

I'll go to see movies but I also love being at home on my couch and pausing every 10 minutes to pee.

It's time for me to do things I like so I will be happy my wife will be happy my friends will be happy. I just want to do something I'm proud of. It's time for me to change. I could sign with a company for 10 movies and I'm the king of video and so what?

A lot of movies aren't intended for everybody.

Life is short. I'm 47 years old. I've got 10 years to go where I can be the best I can be. I want those 10 years to be precious not like before cranking two or three movies a year. I've made a ton of movies in my life but so what?

I like to think of myself as a fairly educated human being but I'm a very uneducated actor when it comes to movies directors producers actors for that matter.

My body looks like 30 but my face looks like 50. But I cannot walk bare-chested in the streets. I like to do these movies to challenge myself physically.

My favorite movies are movies that I go in and I leave deeply affected. Whether I laugh really hard or whether I cry really hard I just want to feel really affected in that moment.

The more unique your film is and unusual it is and difficult it is the harder it is to get it financed. That's why a lot of good filmmakers are doing television. They do HBO movies.

Whenever I think about movies I always look at that art process as having the best of a lot of worlds. Because if you watch a great film you have a musical element to it not just on the scoring but in the way that the shots are edited - that has music and rhythm and time.