With acting you wanna see if you can get into trouble without knowing how you're gonna get out of it. It's like the exact opposite of war where you need an exit strategy. When you're acting you should get all the way into trouble with no exit strategy and have the cameras rolling.

I just travel the world with my backpack and my cameras and a bunch of Clif bars.

In an age of social media and content being key it's important to change the mold where you have $100 000 to $150 000 for one video. I hired some guys that are young just out of college and we used some new far-less-expensive cameras and technology to make videos.

You know I do music. If you look under the hood of the industry I'm in it's all based on technology. From radio to phonographs to CDs it's all technology. Microphones reel-to-reels cameras editing chips it's all technology.

If I went to them all dressed up and flashed a nice smile for the cameras it would probably be easier for me to get work. But I just can't tolerate it.

I used to sit near Marilyn Monroe in the Actor's Studio. She'd get dressed up because that was her identity. Sad. Those cameras wouldn't leave her alone. She didn't know where to hide.

My relationship with the journalists who covered the campaign was complicated. I often hid from the critical eye of their cameras and their omnipresent digital recorders wary of the critique implicit in every captured moment. But I also grew to respect and understand their passion for their work their love for the journey we were sharing.

How can a society that exists on instant mashed potatoes packaged cake mixes frozen dinners and instant cameras teach patience to its young?

Look at the same time that I don't want to be a celebrity I understand that when you make movies you put yourself out in the public eye. I'd be a baby and a fool to be like 'Why are there cameras taking pictures of me?' when I'm on a billboard for a movie. I think that's a very absurd concept.

Have you ever heard of a good marriage growing in front of the cameras?

Growing up my sisters and I would always talk stories. One of my frustrations was I didn't know anything about cameras. I didn't know how to make a film and I obviously didn't have a special effects budget. I was a kid. So I was learning to draw to get down the stuff that was in my head that I couldn't afford to actually do.

The problem for me is that I've never actually studied photography so it's quite a steep learning curve. Cameras these days do so much for you automatically but I still think there's a point where you should actually know the technical side.

For example I spent a lot of time with Reagan both before he ran for governor and when he was running for president. As a print reporter without the cameras I was able to really test the quality of their minds and their knowledge base.

I was on the yearbook staff so I would take out film cameras and Nikons and take photos around school and at sporting events and things like that. We had a darkroom as well. I just loved it. I also saved up for a video camera to video my friends and cut and paste the videos together and I gave them to all of my friends for graduation.

People are so used to having their lives filmed they're not even conscious of having cameras around. I still have that sort of suspicion when a camera comes out. I view it as a thing to fear.

The actual truth about Gad is it's one of the original 13 tribes of Israel so you can actually trace my lineage back to like those guys who had like a hand in the Bible and have since become very famous from that. So I come from very famous lineage. Granted they didn't have cameras back then so none of them had TV shows.

After having done this whole slew of press for 'Big Love ' now I'll have anxiety dreams for like a week and a half about all the stupid things I said. I can't even imagine being in front of the cameras all the time. I had a weird dream the other night that I was on 'Jersey Shore.'

Joanna points her camera at a section of society unused to having cameras pointed at it. But I don't know about categorizing them in terms of class I'm a bit wary of that. My dad is the son of a shipbuilder.

While the recent addition of the National Guard providing a support role manning computers and cameras has allowed more Border Patrol agents to work the field more agents are still needed.

I'm interested in all kinds of pictures however they are made with cameras with paint brushes with computers with anything.

We had the guys from X Men 2 do the cameras. They had a 360 camera that would go from one car up in the air and over to another car in a continuous shot while the film was still rolling going 90 mph.

The movie business is very difficult but the music business is just impossible. So I'll play in bands and record and play songs with other people but for me it's a form of expression that all I need is me. I don't need cameras or agents I can just have a piano and sing and feel totally verified.

Nothing. We're all friends and friendly. So when the cameras go down depending on the mood or the nature of the material we're dealing with there's usually a kind of a prevailing light attitude that's floating around.

Motion capture is amazing. I prefer it. You wear a 'Power Ranger'-esque suit you have tape balls on you you have 60 cameras around you capturing your every movement and there's no hair no makeup.