There's no one I trust in show business more than Sabrina Wind. She's my eyes and ears when I can't be there. She weighs in on everything from scripts to sets to advertising.

You won't find me in a romantic comedy. Those movies don't speak to me. People don't come to talk to me about those scripts because they probably think I'm this dark twisted miserable person.

The reason I turn down 99% of a hundred I mean a thousand scripts is because romantic comedies are often very romantic but seldom very funny.

I quit doing the movies because the wrestling was going so good and was so on fire during the '80s and '90s but I was getting all these movie scripts.

You have to read scripts and audition and develop relationships. It takes a long time to develop a body of work but over the last 25 years I guess I've done that many movies. In hindsight it may seem effortless but there's a lot of work that goes into it.

Movies are not scripts - movies are films they're not books they're not the theatre.

When I sent those scripts that was the lowest point of my life. We'd just had our second son and when I went to collect them from hospital I went to the bank to try and get some money to buy some diapers the screen showed I've got $26 left.

From the very start of all of this my mom has read the scripts first. And if she liked something she let me read it. She told our agent what kinds of parts that we would want.

As an audience member those studio films are fun. I like an adventure tale and I also like to go see something that has more of a social pulse. I like to keep learning and trying new things. And if the scripts are good it doesn't really matter.

I'm an obsessive hiker and I do it every day for two hours and it really helps me when it comes to learning songs or scripts.

Although Bill Finger literally typed the scripts in the early days he wrote the scripts from ideas that we mutually collaborated on. Many of the unique concepts and story twists also came from my own fertile imagination.

I love doing comedy. You don't get many good comedy scripts. They're rare. But I do love playing comedy. Even in drama I like to try to find the humor because I think it's very human.

The best thing for me is when I'm not working is to be at home and to have a script or two scripts is better and to be just walking around the house and just thinking about the lines.

It was a joy to be a part of the team that created Round The Horne. I was involved with the show at a time of my life when I was very happy. and that happiness overflowed into the scripts.

So often I read scripts and am like 'This would never happen in real life. It's not trying to be funny. It's trying to be serious.'

I read a lot of scripts that I just don't find very funny.

In Australia they set up a special fund to kick films off. It was quite an enlightened sort of move. You could go to this government bureau with scripts and and get finance for films.

I have come close to producing films. But generally by the time they hit the screen there's about 50 people with producer credits so what's the point. I usually find scripts I like with no money attached and take them to producers that I know and try to raise finance.

There's so many things I want to do. I want to work with great filmmakers great actors great scripts. And there's no reason for me to do anything short of that because I'm 24 I don't have a family I don't need to make tons of money and I'm not dying to get famous.

I'd done table reads for my own screenplays and I always thought they were so much fun. Why couldn't we do these for other classic screenplays and bring them to life? You can experience live theater where you get to see plays produced by different directors and different casts but there's really nothing like that for movie scripts.

I loved the material when I first read it and the experience of making the film was a great one. So when we came around to complete the trilogy I just signed on board without even reading the scripts because the experience of the first film was so good.

And they were writing scripts where Christine had hit the glass ceiling. And I always thought Christine would never hit the glass ceiling. I thought her dreams would take her. Maybe her dreams wouldn't take her where she wanted but she still had her dreams.

My dad was a football player - a soccer player - for Manchester United and I loved playing football but I also happened to be the guy in class who was pretty good at sight reading. My teacher gave me scripts and I was very comfortable.

My dad's got a brilliant eye for scripts 'cos he's a literary agent. He and my agent read a load of scripts and filter them.